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      Focus blur, and movement blur

      • There are two types of blur, broadly speaking, focus blur, and movement blur. Focus blur is where the image, or part of the image, is not in focus, and Movement blur is where the subject or the camera has been moved while the shutter was open.
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  1. Sep 30, 2010 · While blurs are not for everyday use and not all people like or understand them, they do have a place in artistic photography. Learning to appreciate and capture blurs can open up your mind as a photographer and inspire more creativity in your work.

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  3. Oct 5, 2013 · There are many different types of blur that affect our photography. This article looks at what they are and how they are formed and how they are used.

  4. May 16, 2023 · In photography, blur is the beginner’s mistake that might also be a form of creative intention. “Untitled,” 1975. Photograph by Jan Groover courtesy Photo Elysée. As Pauline Martin points...

  5. There are two flavors of action blurs. The first is when the camera is panned to track a moving subject. This results in an image with a sharp, or semi-sharp subject, and blurred background like the image below. The second is when the camera is still, and the subject is in motion.

    • what are blurs in photography definition1
    • what are blurs in photography definition2
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  6. Aug 10, 2018 · Motion blur photography can be used to create dynamic images of moving subjects, including animals in their natural habitat, crowds of people, or vehicles zipping along roads and rails. At the most basic level, photography captures still images of the world around us.

  7. Mar 19, 2024 · Motion blur is a visual effect in photography in which moving objects appear blurred due to their rapid motion during exposure. It adds a sense of speed and dynamism to images and videos, enhancing their visual appeal and storytelling. Unlike background blur, the lens is not responsible for causing motion blur in photography. Motion blurring ...

  8. Feb 12, 2022 · Blurring the background is one of the many ways to isolate or emphasize your subject. Do you need a special lens to do so? Absolutely not! In this article, we look at some of the ways you can get those creamy, beautiful backgrounds using almost any camera and lens. Chipmunk, Nikon D500 + 500mm f/5.6 Lens @ 500mm, ISO 3600, 1/640, f/5.6.

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