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  1. Apr 4, 2024 · McKay, a prominent figure of the Harlem Renaissance, creates a distinct contrast between winter’s bleakness and a dreamlike vision of a “summer isle.” The poem’s rich tropical imagery, including orchids, cotton trees, and crystal rills, juxtaposes the opening lines’ “shivering birds.”

    • Summary
    • Detailed Analysis
    • Structure and Form
    • Literary Devices
    • Similar Poetry

    ‘After the Winter’ by Claude McKayis a beautiful and simple piece of poetry about an idealized fugue on the “summer isle” away from winter. The speaker spends the first stanza initiating his dream and suggesting that when winter is over, they’re going to be able to “turn” their faces toward the summer isle and forget about the cold, inhospitable pa...

    Stanza One

    In the first stanza of ‘After the Winter,’ the speaker begins by noting that sometime in the future, things are going to change. He’s filled with hope as he considers what the world is going to be like when the “trees have shed their leaves,” and he and the listener turn their faces “Toward the summer isle.” When winter comes and passes, the two are going to be able to step away from their lives to a place where “bamboos spires the shafted grove / And wide-mouthed orchids smile.” This last li...

    Stanza Two

    The second stanza of ‘After the Winter’ starts with the word “And,” ensuring the reader is aware that the poem is picking up where it left off in the previous stanza. Once they’re there on their summer isle, they’re going to “seek the quiet hill” and find a place to be at peace. There, they’ll find “the laughing crystal rill,” another example of personification, and the working “droning bee.” The sense-imagery in these lines is quite effective. The poet is painting a scene that’s beautiful to...

    ‘After the Winter’ by Claude McKay is a two-stanza poem that is separated into two sets of eight lines, known as octaves. These octaves follow a simple rhyme scheme of ABABCDCD, changing end sounds between the two stanzas. The meter changes throughout the poem, ranging from around seven to nine syllables per line.

    Throughout ‘After the Winter,’ the poet makes use of several literary devices. These include but are not limited to: 1. Alliteration: can be seen when the poet repeatsthe same consonant sound at the beginning of multiple words. For example, “birds beneath” and “summer” and “spire” in the first stanza. 2. Enjambment: occurs when the poet cuts off a ...

    Readers who enjoyed ‘After Winter’ should also consider reading other Claude McKay poems. For example: 1. ‘Harlem Shadows’ – describes their experience while also acknowledging their strength. 2. ‘America’ –explores the good parts of the country, the strength and vigor it contains as well as the bad. 3. ‘Enslaved’ – turns bitterness, hatred, and ra...

    • Female
    • October 9, 1995
    • Poetry Analyst And Editor
  2. Claude McKay. 1 viewer 5.3K views. 5 Contributors. After The Winter Lyrics. Some day, when trees have shed their leaves. And against the morning's white. The shivering birds beneath the eaves....

  3. Poem analysis of Claude McKay’s After the Winter through the review of literary techniques, poem structure, themes, and the proper usage of quotes.

  4. These poems delve into the raw power and emotional turbulence of a hurricane, drawing readers in with vivid imagery and stirring metaphors. Langston Hughes’ ‘Hurricane’ swirls with the relentless force of the storm, weaving a tale of destruction and perseverance, while James Berry’s ‘The Hurricane’ invites readers to witness the ...

  5. 1948. Some day, when trees have shed their leaves. And against the morning’s white. The shivering birds beneath the eaves. Have sheltered for the night, We’ll turn our faces southward, love, Toward the summer isle. Where bamboos spire to shafted grove. And wide-mouthed orchids smile.

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  7. After the Winter. By Claude McKay. Some day, when trees have shed their leaves. And against the morning’s white. The shivering birds beneath the eaves. Have sheltered for the night, We’ll turn our faces southward, love, Toward the summer isle. Where bamboos spire the shafted grove.

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