Search results
Sequenza. Sequenza ( Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. [1] The pieces, some of which call for extended techniques, are: Sequenza I (1958; rev. 1992) for flute. Sequenza II (1963) for harp. Sequenza III (1965) for female voice. Sequenza IV (1965) for piano.
Apr 28, 2002 · - Extended technique and polyphonic writing in Luciano Berio's Sequenza XIV. Videography. Omaggio. Back to Works
People also ask
Who wrote Sequenza XIV for cello?
What does Sequenza stand for?
What is Sequenza X?
Who adapted Sequenza XIVb for double bass?
Jun 15, 2004 · Posthumous authoriized revision by Stefano Scodanibbio of Sequenza XIV for cello (2002). First performance: 15/06/2004, Stuttgart. Stefano Scodanibbio . Publisher:
Luciano Berio. Luciano Berio OMRI (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition Sinfonia and his series of virtuosic solo pieces titled Sequenza ), and for his pioneering work in electronic music.
Like Sequenza III, the trombonist trots out tricks and timbres, new and old, to help the illusion, but here the virtuoso writing works. The three Sequenzas for strings – numbers VI, VIII, and XIV for viola, violin, and cello, respectively – show Berio's inventiveness, as well as his ability to take from a wide variety of sources.
Now Naxos enters the Sequenza playing field with equally world-class performances of the cycle, including the Cello Sequenza (No. XIV) written in 2002 (the year before Berio’s death) plus the soprano saxophone version of the Oboe Sequenza (No. VII). It might be helpful to describe some of the ways in which the DG and Naxos performances differ.
Jun 20, 2023 · Luciano Berio (1925-2003)SequenzasI – XIV rec. 1998-2004, St John Chrysostom Church, Newmarket, Canada Naxos 8.557661-63 [3 CDs: 182] Berio’s Sequenzas were written over a rather long period, actually some thirty-four years – most of his long composing life. So, they give a fair survey of his compositional progress and of his stylistic ...
