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    • American art historian, professor, curator, and author

      • Paul Hayes Tucker (born 1950) is an American art historian, professor, curator, and author. His specialties include Claude Monet and impressionism.
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  3. New York City. Occupation (s) Art historian, professor, curator, author. Spouse. Maggie Moss-Tucker. Website. IMB faculty page. Paul Hayes Tucker (born 1950) is an American art historian, professor, curator, and author. His specialties include Claude Monet [1] and impressionism .

    • 1950 (age 72–73), New York City
    • Art historian, professor, curator, author
  4. Jun 8, 2019 · Subscribed. 3. 192 views 4 years ago Full Episodes. Paul Tucker is regarded as one of the world's foremost authorities on Claude Monet and French Impressionism. He has written (and edited) 11...

    • Jun 9, 2019
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    • Felix Levine
  5. Paul Hayes Tucker (born 1950) is an American art historian, professor, curator, and author. His specialties include Claude Monet and impressionism.

  6. Jan 28, 2003 · Paul Hayes Tucker, who has taught art history at the University of Massachusetts Boston since 1978, is currently The Paul Hayes Tucker Distinguished Professor of Art, a Chair established in his name by two Boston patrons of the arts, Barbara Lee and Ellen Poss. Hailed by *Time Magazine* as one of America's foremost authorities on Claude Monet ...

  7. Mar 2, 2012 · Instead of reading Monet's work as engaged only with the beauties of nature, Paul Hayes Tucker offers strikingly new perspectives based on a close examination of individual paintings, Monet's biography, and the multiple forces that shaped his aesthetic.

  8. Jun 13, 2012 · The Monet Experience with Professor Paul Hayes Tucker. Posted in Monet's Garden, Video on June 13 2012, by Matt Newman. Claude Monet’s careful brush strokes have intrigued art critics, collectors, and museum-goers for well over a century, yet the masterworks seen on canvas exceed simple impressions of nature’s vistas.

  9. Jun 7, 2012 · Paul Hayes Tucker, a Monet expert and the exhibition's curator, says he thinks Monet would be pleased with the recreation, but also a little jealous. Monet in Normandy: The Making of Impressionism

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