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The Phantom of the Opera. ) Musician, Composer. Erik (also known as the Phantom of the Opera, commonly referred to as the Phantom) is the title character from Gaston Leroux 's 1910 novel Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera.
Erik is the main antagonist in Gaston Leroux's 1911 The Phantom of the Opera. In the original novel, few details are given regarding Erik's past, although there is no shortage of hints and implications throughout the book. Erik himself laments the fact that his mother was horrified by his appearance and that his father, a master mason, never saw him. It is also revealed that "Erik" was not, in ...
Erik, better known as The Phantom of the Opera, is the titular character of the 1910 novel Le Fantôme de l'Opéra (The Phantom of the Opera) written by the late Gaston Leroux. He is the titular protagonist of the story and its adaptations of the same name. Erik is an extremely intelligent and talented musician who lives hidden at an Opera House in Paris because of his deformity. He falls in ...
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The Phantom of the Opera did exist. He was not, as was long believed, born out of the fertile imagination of the artists, the credulity of the directors, or the ludicrous fancy and overexcited brains of the young ladies of the corps de ballet, their mothers, the ushers, the cloakroom attendants and the concierge.
Known as “P. of the Opera,” “the ghost,” “the Voice” and “the Master of the Traps,” Erik is the antagonist of the novel and a tragic, violent, and ultimately mysterious figure. Although the narrator asserts… read analysis of Erik / The Phantom of the Opera / The Ghost / The Voice
Erik is the titular phantom and main antagonist of the story who develops into a tragic character. The text introduces Erik through his persona as the Opera Ghost, a figure more of legend than a real man. Erik torments the Opera under this disguise, extorting money from the managers and wreaking havoc amongst the superstitious artists.
Lon Chaney, Sr.'s characterization of Erik in the silent film (released in 1925) remains closest to the book in content, in that Erik's face resembles a skull with an elongated nose slit and protruding, crooked teeth. Chaney was a master make-up artist and was considered avant garde for creating and applying Erik's facial makeup design himself.
