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She has charted 69 times on the US Billboard Hot 100 singles chart, making her the second-most charted female vocalist during the rock era (1955–2010), after Aretha Franklin. [1] Warwick has sold over 100 million records (over 75 million singles and 25 million albums) worldwide. [2] She has charted 18 songs in the top 20 of the US Hot 100 and ...
- 25
- 96
- 5
- 40
- By The Time I Get to Phoenix/I Say A Little Prayer
- Keepin’ My Head Above Water
- Once You Hit The Road
- You Can Have Him
- I’ll Never Love This Way Again
- Reach Out For Me
- Déjà Vu
- Then Came You
- The Windows of The World
- I’m Just Being Myself
The live album A Man and A Woman is both delightful and slightly odd: Warwick dueting with Isaac Hayes, who had just had a hit with a paen to troilism called Moonlight Lovin’ (Ménage à Trois). Its solitary single isn’t a medley, more an attempt to bind two songs together as a call-and-response. It works.
Why Warwick couldn’t get a hit for most of the 70s is an intriguing question, particularly given the singles she was putting out: perhaps she was too associated with the 60s to be reinvented. Certainly, the strutting, beautifully orchestrated Keepin’ My Head Above Water deserved better than to vanish without trace.
Warwick would have been a perfect fit for the kind of feathery soft soul peddled by the Chi-Lites and the Stylistics and it is a bit of a mystery why she didn’t make more records in that vein. She also turned out to be adept at disco, as evidenced by this lovely Thom Bell-produced, MFSB-assisted single.
Warwick isn’t exactly renowned as an experimental artist, which makes You Can Have Him a genuine oddity: daringly enough, there is literally nothing to the first third of the song except frantic drums and vocals. It’s viscerally exciting and hard-hitting in a way her singles seldom were.
Warwick was scooped out of her 70s doldrums by Barry Manilow, who produced her platinum-selling 1979 album Dionne. Its big single, a Grammy winner, was a beautifully written easy-listening ballad that sounded as if it should be on a film soundtrack: for better or worse, it set the tone for most of her subsequent work.
Reach Out for Me is a study in dramatic contrasts. The verses are soft, at odds with the toughness of the lyrics – “you just can’t accept the abuse you’re taking” – but on the choruses the strings swell, and so does Warwick’s voice: it sounds as if the microphone is struggling to cope with the sheer power of her singing.
Co-written by Isaac Hayes, Déjà Vu was a markedly different single to its predecessor, I’ll Never Love This Way Again: a breathily sung, lushly orchestrated disco ballad with a distinctly funky undertow, rather than an MOR showstopper. A hit at the time, but subsequently forgotten, it deserves rediscovery.
In the middle of a commercially fallow period for Warwick, Then Came You was a No 1 hit in the US, smartly pairing her with the Spinners and genius producer Thom Bell: a supremely classy example of the mid-70s Philly sound, it briefly threatened to reinvent Warwick as a straightforward soul singer.
A rare thing: a Bacharach and David protest song, the gentleness of its arrangement masking a lyric haunted by the Vietnam war – “when boys grow into men, they start to wonder when their country will call” – which perhaps accounts for its muted commercial response: certainly, it was nothing to do with Warwick’s magisterial performance.
The commercial failure of Warwick’s early 70s solo albums – and the shadow cast by her 60s work – means they are packed with hidden gems. The flop single I’m Just Being Myself is a case in point: a fabulous piece of period soul, written and produced by Holland-Dozier-Holland but influenced by Curtis Mayfield’s contemporary work.
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She is also one of the most-charted vocalists of all time, with 56 of her singles making the Hot 100 between 1962 and 1998 (12 of them Top Ten), and 80 singles in total – either solo or collaboratively – making the Hot 100, R&B, or adult contemporary charts. [2] [3] Warwick ranks number 74 on the Billboard Hot 100's "Greatest Artists of all time".
- Tom Eames
- 'You're Gonna Need Me' You're Gonna Need Me. Released in 1973, this song began Dionne's post-Bacharach/David era, and was written by the Motown team of Holland-Dozier-Holland.
- 'Dont Make Me Over' Dionne Warwick - Don't Make Me Over - Live 1963. This was Dionne's first ever single, released in 1962. Like many of her early hits, it was written by Burt Bacharach and Hal David.
- 'I'll Never Love This Way Again' Dionne Warwick "I'll Never Love This Way Again" (ORIGINAL) Produced by her record labelmate Barry Manilow, this song gave Dionne a top 5 hit in the States.
- 'Anyone Who Had a Heart' Dionne Warwick - Anyone Who Had A Heart. Another Bacharach/David number, this was a considerable hit around the world for Dionne in 1964.
Chart History. Billboard Hot 100™. 2 No. 1 Hits. 12 Top 10 Hits. 56 Songs. Billboard Hot 100™. Debut Date. Peak Pos. Peak Date. Wks on Chart. I'll Never Love This Way Again. Dionne Warwick....
DIONNE WARWICK songs and albums, peak chart positions, career stats, week-by-week chart runs and latest news. Dionne Warwick was born in Orange, New Jersey on December 12, 1940 and is a...
Apr 2, 2014 · Soul singer Dionne Warwick became a superstar with early hits like "Walk On By" and "I Say a Little Prayer," and later with albums like 'Dionne and Heartbreaker.' Updated: Apr 26, 2021
