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Jan 26, 2019 · During the 1960s, Tito Puente became the new king of Mambo. However, that decade was defining a new kind of music of which Mambo was just one of the ingredients. The new sounds that were coming from New York were creating something much bigger: Salsa music.
The modern mambo dance from New York was popularized in the late 1960s into the 1970s by George Vascones, president of a dance group known as the Latin Symbolics, from the Bronx, New York. George Vascones continued the mambo dance tradition which started two decades earlier during the "Palladium era".
Oct 14, 2022 · In New York, Mambo Fuses With Big Band Jazz ... affirming their own identity and civil rights during the turbulent 1960s and ’70s. ... said Palmieri in The Palladium: When Mambo Was King. “The ...
- Iván Román
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A new documentary, “The Palladium: Where Mambo was King,” captures the spirit of what its narrator calls “a special time and a remarkable place” for Latin music. The two-hour program ...
6 days ago · Tito Puente (born April 20, 1923, New York, New York, U.S.—died May 31, 2000, New York City) was an American bandleader, composer, and musician who was one of the leading figures in Latin jazz. His bravura showmanship and string of mambo dance hits in the 1950s earned him the nickname “King of Mambo.”. The son of Puerto Rican immigrants ...
- The Editors of Encyclopaedia Britannica
The mambo is a musical and dance vehicle which contained the culture, religion, and identity of a people and lived through different regions and times to still unite individuals through harmony and understanding across all boundaries. The fusion of swing and Cuban music produced this fascinating rhythm and in turn created a new sensational dance.
Nov 11, 2009 · The soundtrack to the film The Mambo Kings Play Songs of Love remains the best introduction to the Palladium scene, but Tito Puente and Tito Rodriguez can boast of ideal introduction albums out at ...
