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  1. www.moma.org › artists › 4243Bruce Nauman | MoMA

    That 1968 video was Nauman’s riff on a Classical pose, designed to enliven static sculpture and lend the body a pleasing curve. A stationary camera filmed the lithe young artist as he paced up and down a corridor, swinging his hips from side to side.

  2. Dec 7, 2018 · was Nauman’s riff on a classical sculptural pose, designed to enliven static figures and lend the body a pleasing curve. A stationary camera filmed the lithe young Nauman pacing his first corridor, swinging his hips from side to side. The newer work again shows him walking the length of his studio dressed

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  4. Sep 28, 2021 · What starts out as a banal experiment soon becomes a rigorous exercise in endurance: the classical stance Nauman adopts between each shifting of weight becomes an absurd live sculpture, the space of the narrow corridor now defined by his body as it moves unharmoniously from side to side.

  5. Apr 26, 2024 · Sculpture, performance art, and video art. Bruce Nauman is an American artist renowned for his versatile and provocative works that have challenged and expanded the boundaries of contemporary art. Born on December 6, 1941, Nauman’s career has traversed a wide array of media such as sculpture, photography, neon, video, drawing, printmaking ...

  6. Contrapposto translates as “counterpose” from the Italian and refers to a pose that first appeared in Greek classical sculpture to introduce dynamism into the representation of the figure. Nauman’s original appropriation of the pose in motion in 1968 questioned the boundaries between performance and sculpture through the relatively new ...

  7. Jul 28, 2016 · The Italian word contrapposto in art refers to an uneven pose used in Greek classical sculpture to make standing figures appear more dynamic. Bruce Nauman explored this concept with...

  8. Sep 14, 2016 · The new work looks back at one of the artist’s first video pieces, Walk with Contrapposto (1968), in which Nauman takes the pose most associated with Classical and Renaissance sculpture—the hip cocked with the body’s weight shifted in a diagonal, from the back leg to the forward shoulder—and sets it in motion.

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