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Eugenio Miozzi’s angular, Rationalist ‘Palace of Cinema’ was in keeping with the ambitious modernism of the early 1930s, when business tycoon and Fascist minister Count Giuseppe di Volpi cleverly conceived of the Venice Film Festival as a means of fostering the Lido's upmarket tourism industry.
Compared to the rhetorical monumentality of the nearby Casino building, the Palazzo del Cinema, which features a Hall and a 1032-seat screening theatre (+4 seats reserved for people with disabilities), is a synthesis of Rationalist models. What remains today of the original building are the two rounded sides and the lateral façades.
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- An Experimental Generic Process
- Case Studies
- The Effectiveness of The Drawings
We will recount the process followed by Holl to address a new assignment. Holl begins each project with a visit to the place to capture the specific qualities it contains, not as a context, nor as an entity endowed with an ethnic nor cultural historical character, but willing to concentrate on its sensitive qualities; in this way the first drawings...
In the germinal works destined to competitions and small works pertaining to the first productive epoch, when Holl barely found commissions, it is, in our opinion, where the process is best evidenced. We selected three of them that represent milestones in the graphic and design evolution of Holl by means of which the mature procedure that is still ...
It is precisely these exhibition spaces that stood out, apparently, in front of all the other proposals (Fig. 9). Tuula Arkio, member of the jury, speaks in the interview with her about the work presented, of the feeling she had when seeing the watercolours of the galleries (Fig. 10) for the first time:
- Ángel Allepuz Pedreño
- allepuz@ua.es
- 2018
Feb 14, 2012 · palazzo del cinema in venice, 1990 …this is a plan view of the model – but i initially thought it was a sectional model (which would have been much cooler) Share this:
The Palazzo del Cinema in its original version was officially opened for the fifth edition of the Festival, in August 1937. At the time, it had a monumental tripartite façade with vertical pilasters and rounded corners, as the rationalist style of the time dictated.
Nov 13, 2012 · Luigi Spinelli. 13 November 2012. The first major international retrospective on the work of Italian engineer Pier Luigi Nervi, Architettura come sfida ["Architecture as a challenge"] is an itinerant, research-based exhibition by an academic committee led by Carlo Olmo. Currently in the Fruttiere of Palazzo Te, Mantua through 25 November, it is ...
The Palazzo del Cinema, inaugurated on 10 August 1937 for the fifth edition of the Exhibition was then made up of a simple hall and a thousand-seat cinema hall (the present Great Hall). Following the continuous success of the festival, it became necessary to expand the building, which was entrusted to Quagliata himself in 1952. The overall ...
