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- Its incontestably low quality notwithstanding, Ingagi was a big hit in 1930, earning a reputed $4 million on an obviously miniscule budget and emerging as one of the year’s top-grossing pictures.
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Mar 9, 2017 · Around that time, Ingagi was a huge hit. It was basically this exploitation film, promoted as a documentary — but it wasn’t.
The film in any event was a sizeable hit, with a then-massive $4 million box office take and an influence that was long lasting; it foreshadowed KING KONG (in the subject matter), MONDO CANE (as INGAGI contains many elements that might now be termed “mondo”) and THE BLAIR WITCH PROJECT (in the “reality” stylings), to name but a few ...
4 days ago · Even the most dedicated Turner Classic Movies watcher may not have heard of this phony ethnographic documentary produced outside Hollywood’s studio system during the “Pre-Code” era. Yet in its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.
Jan 3, 2023 · Unsurprisingly people’s curiosity peaked and the movie was a hit once again. This led to more bookings at more theaters with Ingagi eventually making around $1 million or around $17.8 million in today’s money. But as the old wise saying goes, “ mo’ money, mo’ problems.”
Newspapers referred to it as “the gorilla ‘sex’ picture,” and the movie was such a hit that a Tin Pan Alley songwriter published a tune titled “My Ingagi.”
Ingagi. Ingagi is a 1930 pre-Code pseudo-documentary exploitation film directed by William S. Campbell. It purports to be a documentary about "Sir Hubert Winstead" of London on an expedition to the Belgian Congo, and depicts a tribe of gorilla-worshipping women encountered by the explorer. The film claims to show a ritual in which African women ...
- $4 million
- Charlie Gemora
- Edward Gage
- William D. Alexander, Nat Spitzer (executive)
Its incontestably low quality notwithstanding, Ingagi was a big hit in 1930, earning a reputed $4 million on an obviously miniscule budget and emerging as one of the year’s top-grossing pictures. Wood cites several reasons for this, very much including the use of a faraway locale and unfamiliar culture as the vehicle for displays of nudity ...
