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Dec 29, 2017 · Elsewhere, Bergman repeatedly gives us the signature composition of the two faces: one in profile, one face on to the camera, sometimes overlapping.
Bergman’s procedure, with the beginning and end of Persona and with this terrifying caesura in the middle, is more complex than the Brechtian strategy of alienating the audience by supplying continual reminders that what they are watching is theatre (i.e., artifice rather than reality). Rather, It is a statement about the complexity of what ...
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Feb 22, 2021 · Persona is a 1966 horror psychological drama directed by Swedish filmmaker Ingmar Bergman. The story revolves around an actress named Elizabeth who during a live performance of ‘Electra’ becomes mute and is cared for by a nurse named Alma. Throughout the film, it is made clear to the viewers that perhaps the characters of Elizabeth and Alma ...
Persona is a 1966 Swedish avant-garde psychological drama film [n 1] written, directed, and produced by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking.
- $250,000 (U.S.)
- Lars Johan Werle
- Ingmar Bergman
- Close-Up. One of the most distinctive features of Bergman’s films is his frequent use of close-up shots. These shots allow the viewer to see the subtlest facial expressions and capture the characters’ emotions in intimate detail.
- Natural Lighting. Another key element of Bergman’s style is his use of natural lighting. He often shoots his films in outdoor locations or in interiors where natural light is the primary source of illumination.
- Long Takes. Bergman’s use of long takes is another key element of his style. He often lingers on a scene or character, allowing the viewer to absorb the emotional intensity of the moment.
- Sparse Dialogue. Bergman’s films are often characterized by sparse dialogue, with long stretches of silence punctuated by intense emotional outbursts. This approach creates a sense of unease and tension, drawing the viewer into the story and forcing them to engage with the characters on a deeper level.
Aug 6, 2023 · Ingmar Bergman’s masterpiece explained. It’s good to frighten people from time to time. The thought of their mortality induces fear, and the more they think about death, the more they fear it. “The skull is more intriguing than a naked girl,” claims Albertus Pictor, a painter working in the church. It’s good to frighten people from ...
Jan 7, 2001 · She admits . . . she exists. Advertisement. "Persona" (1966) is a film we return to over the years, for the beauty of its images and because we hope to understand its mysteries. It is apparently not a difficult film: Everything that happens is perfectly clear, and even the dream sequences are clear--as dreams.
