Search results
Cliff Eidelman
- Cliff Eidelman produced the film's score, which is intentionally darker than previous Star Trek offerings.
www.wikiwand.com › en › Star_Trek_VI:_The_Undiscovered_Country
People also ask
Who wrote the score for Star Trek 6 'The Undiscovered Country'?
Who wrote the score for Star Trek?
What awards did Star Trek VI 'The Undiscovered Country' receive?
When did Star Trek 6 come out?
Producer Steven-Charles Jaffe led a second unit to an Alaskan glacier that stood in for a Klingon gulag. Cliff Eidelman produced the film's score, which is intentionally darker than previous Star Trek offerings. Star Trek VI: The Undiscovered Country was released in North America on December 6, 1991.
- $30 million
- Cliff Eidelman
- December 6, 1991
Dec 7, 2016 · Cliff Eidelman, the man who composed the score for Star Trek VI: The Undiscovered Country, fondly recalls his experience working on the final Star Trek film to star the entire original cast.
Cliff Eidelman's original score for Star Trek VI: The Undiscovered Country.
Star Trek VI: The Undiscovered Country (1991) Director Nicholas Meyer's original plan for the score of The Undiscovered Country was to adapt Gustav Holst's orchestral suite The Planets. The plan proved unfeasibly expensive, so Meyer began listening to demo tapes submitted by composers.
- 6
- 13
"The battle for peace has begun." An interstellar cataclysm cripples the Klingon Empire's homeworld, leading to their Chancellor seeking peace with the Federation. But covert acts attempt to thwart the peace process with the assassination of the Klingon Chancellor. With Captain James T. Kirk and Dr. Leonard McCoy as the prime suspects, the Starships Enterprise-A and Excelsior must attempt to ...
Feb 28, 2012 · Intrada Records has announced the world premiere release of the complete score for the 1991 sci-fi movie Star Trek VI: The Undiscovered Country. Cliff Eidelman
We have several variations on the main Star Trek theme, though it's used perhaps less prominently than in previous entries in the series. The score is most similar to that of The Wrath of Khan —which makes sense, given that both were directed by Nicholas Meyer.
