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Jan 2, 2022 · Large-scale films that are grand in scope and full of flashy, complex sequences are sure to impress, which is why war films tend to dominate the editing and sound categories at the Academy Awards. If a film wins Best Picture, the odds of it scoring a Best Film Editing nomination are extremely high.
Feb 26, 2017 · Winning the best film editing award involved triumphing over some of the ceremony’s heavyweights, like La La Land and Moonlight, in addition to Arrival and Hell or High Water.
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Jan 11, 2017 · Last year, three of the five Best Editing nominees went to “Star Wars: The Force Awakens,” “The Revenant,” and category winner “Mad Max: Fury Road.”. All three films were superb ...
- Chris O'falt
Apr 7, 2015 · Rob Hardy. Apr 07, 2015. In a new video essay from Robigo TV, Rob Knook outlines a few of the most prevalent theories of film editing in contemporary cinema, then shows us how Whiplash, the winner of this year's Oscar for best editing (as well as a few others ), used those theories to masterful effect in order to create one of the most ...
- “Don’t Look Up” – Hank Corwin, Ace
- “Dune” – Joe Walker, Ace
- “King Richard” – Pamela Martin, Ace
- “The Power of The Dog” – Peter Sciberras
- “Tick, Tick … Boom!” – Myron Kerstein, Ace, Andrew Weisblum, Ace
Adam McKay’s films have always relied heavily on their editing, either for their comic timing or to combine many different elements and banter between fairly large ensemble casts, each receiving their own memorable moments. This is Corwin’s third Oscar nomination, and his previous two were also for McKay-directed, Best Picture-nominated films: “The...
As with Corwin, this is Joe Walker’s third Oscar nomination after previous bids for editing Denis Villeneuve’s “Arrival” and the 2013 Best Picture winner “12 Years a Slave.” “Dune: Part One” is the presumptive favorite to win this category, much like it is expected to win many of its below-the-line nominations, and understandably so. “Dune” offers ...
Martin was previously nominated for her editing on another sports film, “The Fighter” (2010), and this year “King Richard” is one of only two films where editing is the only below-the-line nomination. But Martin’s work on the film is undeniable, as it’s crucial in telling the complex story surrounding Will Smith’s Richard Williamsand his tennis cha...
Not only is Peter Sciberras a first-time Oscar nominee, but Jane Campion’s “The Power of the Dog” is only his fifth feature film. He previously edited the Australian drama “Hail” before editing three of Aussie filmmaker David Michôd’s films: “The Rover,” “War Machine,” and “The King.” While “The Power of the Dog” might not be the kind of fast-paced...
This is the only musical nominated for editing this year, even though Kerstein also edited the equally terrific “In the Heights,” based on the musical co-written by “Tick, Tick” director Lin-Manuel Miranda. Weisblum was previously nominated for his editing on Darren Aronofsky’s “Black Swan.” For “Tick, Tick,” Kerstein and Weisblum were nominated by...
For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. [1] [2] Only the principal, " above the line " editor(s) as listed in the film's credits are named on the award; additional editors, supervising ...
Feb 24, 2017 · Why Hacksaw Ridge should win the best picture Oscar. Mel Gibson’s gore-laden war story is not just a crowdpleasing tale of American bravery, it’s a unique film about faith and suffering. Paul...
