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    • High tenor and smooth vocal style

      • His appearances at New York's Copacabana led local disc jockey Fred Robbins to give him the nickname "The Velvet Fog" in honor of his high tenor and smooth vocal style. Tormé detested the nickname. He self-deprecatingly referred to it as "this Velvet Frog voice".
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  2. en.wikipedia.org › wiki › Mel_TorméMel Tormé - Wikipedia

    His appearances at New York's Copacabana led local disc jockey Fred Robbins to give him the nickname "The Velvet Fog" in honor of his high tenor and smooth vocal style. Tormé detested the nickname. He self-deprecatingly referred to it as "this Velvet Frog voice". [10]

    • The Velvet Fog
    • Melvin Howard Tormé
  3. Sep 12, 2007 · Blessed with impeccable timing and a smooth, mellow timbre, Mel Tormé was known during his heyday as "The Velvet Fog." Tormé was the consummate entertainer: as a drummer, singer,...

  4. Over the last decade, Mr. Torme, whose warmly embracing baritone earned him the dubious nickname the Velvet Fog when he was a 21-year-old crooner, has become an institution, performing at jazz...

  5. Apr 1, 2024 · April 1, 2024 / By Delores Bray. The Velvet Voice: All You Need to Know About Mel Tormé. Mel Tormé, also known as “The Velvet Fog,” was an American singer, songwriter, composer, actor, and jazz musician. He was born on September 13, 1925, in Chicago, Illinois, to Russian-Jewish immigrants.

  6. Nicknamed ‘The Velvet Fog’ for his smooth mellow vocal style, Melvin (Mel) Tormé was a consummate all-round entertainer – singer, songwriter, composer, arranger, pianist, drummer and writer. The son of Russian immigrants, Tormé was born in Chicago, Illinois and grew up on the city’s south side.

  7. Tormé, Mel (1925-1999) One of the most versatile entertainers of all time, Mel Tormé, known as the "Velvet Fog," was one of America's most acclaimed vocalists as well as a composer-arranger, drummer, actor in films and television, and star performer on records and the live concert stage.

  8. Oct 16, 2019 · He was now nicknamed ” the Velvet Fog”, a sobriquet he came to resent, and his love of swinging big band jazz was becoming overlooked. (It Wasn’t All Velvet was the reproachful title of his 1988 autobiography. From the 50s he tired of commercial mush, and sought a more jazz-based context.)

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