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  1. Popular music, already a vital part of youth culture by the mid-1960s, became a vehicle through which they could hear their concerns put to music. The music helped to build the antiwar community. In earlier eras, protest music sometimes had a subtle tone, propelled by acoustic instruments. By the late 1960s, however, it took on the ...

  2. Social protest provided young people with a voice they didn’t always have at the ballot box. Popular music, already a vital part of youth culture by the mid-1960s, became a vehicle through which they could hear their concerns put to music. The music helped to build the antiwar community. In earlier

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  4. As it turned out music did not accomplish these things. What anti-war music did do, as all protest music has done throughout American history, was to raise spirits while doing battle, help define the identities of activists, and turn passive consumption into an active, vibrant, and sometimes liberating culture. [1]

  5. Feb 22, 2010 · Antiwar marches and other protests, such as the ones organized by Students for a Democratic Society (SDS), attracted a widening base of support over the next several years, peaking in early 1968 ...

  6. At the outset of the war, folk singers such as Joan Baez, Pete Seeger, Phil Ochs, and Peter, Paul, and Mary took center stage in protest music. As the war progressed, antiwar music became more popular. Among the hit songs were Edwin Starr’s “War!”. Crosby, Stills and Nash’s “Ohio,” and Marvin Gaye’s “What’s Going On.”.

    • How did protest music help build the antiwar community?1
    • How did protest music help build the antiwar community?2
    • How did protest music help build the antiwar community?3
    • How did protest music help build the antiwar community?4
    • How did protest music help build the antiwar community?5
  7. across the various genres of popular music of the time, but most notably the youth oriented genres--rock, soul and folk. The protest songs carried an overt or direct message, sometimes a subtle message of the antiwar sentiment of the time. In order to understand the motivation for the production of a protest song, we must first

  8. He was asked to schedule prominent local musicians to perform (pro-bono) at Austin City Hall, the protest rally point. Although public anti-war protests in Austin had been quite successful preceding the invasion, with an estimated 10,000 voicing opposition to the invasion during the build-up two years earlier (an event that culminated in chaos ...

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