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The Search for Spock was not heavily marketed. Among the promotional merchandise created for the film's release were Search for Spock-branded calendars and glasses sold at Taco Bell. A novelization (ISBN 0-671-49500-3) was also released, and reached second place on The New York Times paperback bestsellers list.
- $16 million
- June 1, 1984
- Harve Bennett
- James Horner
Jun 1, 2019 · StarTrek.com. The Leonard Nimoy directed Star Trek III: The Search for Spock opened in theaters on June 1, 1984 — 35 years ago today. It is illogical to waste time letting this milestone make you feel old, as time marches on, after all (or, in Discovery's case, leaps ). And so, instead, we're choosing to dwell not on the unknown nature of ...
Jun 1, 1984 · Star Trek III: The Search for Spock: Directed by Leonard Nimoy. With William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan. Admiral Kirk and his bridge crew risk their careers stealing the decommissioned U.S.S. Enterprise to return to the restricted Genesis Planet to recover Spock's body.
- (85K)
- Leonard Nimoy
- PG
- Action, Adventure, Sci-Fi
The Search For Spock. " All that they loved, all that they fought for, all that they stood for will now be put to the test…. Join us on this, the final voyage of the starship Enterprise. Admiral James T. Kirk's defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane.
The Center Seat The Search for Spock Star Trek: The Original Series Marc Okrand to create a realistic Klingon language However, Nimoy's biggest frustration as a director came not from the cast or...
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In the wake of Spock's ultimate deed of sacrifice, Admiral Kirk and the Enterprise crew return to Earth for some essential repairs to their ship. When they arrive at Spacedock, they are shocked to discover that the Enterprise is to be decommissioned. Even worse, Dr. McCoy begins acting strangely and Scotty has been reassigned to another ship.
The Search for Spock is the companion to but not the equal of The Wrath of Khan. It grows logically, emotionally, even philosophically from the events and themes of the previous film, so much so that the themes and the way they line up with the previous film are almost more respectable than this film in and by itself.
