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Jan 30, 2019 · Jennifer Dale says it was “quite a moment” for her to make the move behind the camera with the independent film Into Invisible Light, which touches on the theme of women going through...
Biography. She is the sister of Canadian actress Cynthia Dale. From 1980 to 1986 she was married to Robert Lantos; they have two children, Sabrina and Ariel. In 1987, she appeared in the docudrama Hoover vs. the Kennedys: The Second Civil War, which deals with a feud between J. Edgar Hoover and the Kennedys, as First Lady Jacqueline Kennedy .
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Into Invisible Light is a 2018 Canadian romantic drama film directed and co-written by Shelagh Carter and starring co-writer Jennifer Dale. [3] [4] Carter's third feature is an independent film loosely based on characters from Chekhov 's Uncle Vanya , Dale's character being based on Yelena, [3] [7] and Keleghan's on Dr. Astrov. [8]
- C$1,500,000 (estimated)
- Shawn Pierce
Jennifer Dale. Jennifer Dale née Ciurluini, actor (born at Toronto 16 Jan 1956). Jennifer Dale completed her early education in Etobicoke before her theatre training (1974-77) in Montréal at the National Theatre School (NTS). In her third year at the NTS, she did a month-long workshop in a class of 8 (under Robin PHILLIPS 's leadership) in ...
Jan 26, 2016 · Since the earliest days of cinema there have been camera conventions, which supposedly could never be broken. Originally it was thought that all actors should be shot from head to toe only. Any thought of cutting off people’s feet or legs, let alone their whole body, was thought to be impossible without seriously disturbing the audience.
Jul 25, 2021 · A few of Miller's war photographs are in the Met show, The New Woman Behind the Camera. It's a scan of pictures from the 1920s through the 1950s by 120 women from more than 20 countries. Lee's ...
Jul 7, 2020 · There must be a conscious effort to diversify the industry to allow women to break into the male-dominated world of the big studios. Change is happening now. The number of female directors in mainstream cinema rose from 4% to 12% in 2019. But 12% is clearly nowhere near equality.
