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  1. Sophie Amalie is thought to have initiated the war against Sweden in 1657. After the peace with Sweden in 1658, she presided over the celebration of the Peace of Roskilde when the Swedish king Charles X Gustav was received at Frederiksborg Palace , during which she entertained with avec beaucoup d'éclat and conversed about the crossing of the ...

  2. Sophie Amalie. Sophie Amalie became Queen of Denmark in 1648. She was the daughter of Duke George of Brunswick-Lüneburg, and in 1643 she was married to Frederik (III). Sophie Amalie was the mother of Christian V. In the first part of Frederik III’s reign and later during the reign of her son Christian V from 1670, Sophie Amalie had some ...

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  4. Sep 16, 2022 · Sophie Amalie of Brunswick-Calenberg (24 March 1628 – 20 February 1685) was Queen of Denmark and Norway as the consort of the King Frederick III of Denmark. She is known for her political influence, as well as for her cultural impact: she acted as the adviser of her husband, and introduced ballet and opera to Denmark.

  5. Sophie Amalie of Brunswick-Calenberg (24 March 1628 – 20 February 1685) was Queen of Denmark and Norway as the consort of the King Frederick III of Denmark. She is known for her political influence, as well as for her cultural impact: she acted as the adviser of her husband, and introduced ballet and opera to Denmark.

  6. In 1646–47, they lived in humble circumstances in Flensborg, after having been forced to flee Bremen during the war between Denmark-Norway and Sweden. In 1647, Frederick was elected heir to the Danish throne, and the following year, she followed him to Denmark. Queen . In 1648, Frederick and Sophie Amalie became king and queen of Denmark and ...

  7. Frederik III and Sophie Amalie in coronation robes, 1648. Frederik III wears Christian IV’s crown, redesigned as a closed crown with arches. Miniature in oils, artist unknown. Queen Sophie Amalie. Painting by Abraham Wuchters.

  8. The painting is attributed to Juriaen Ovens (ca. 1613 – 1678). The painting was bought by the Royal Danish Collection and was to be restored for a temporary exhibition. Time was short and the task substantial. The painting as it looked on arrival at Rosenborg: The pigment layers displayed a high degree of craquelure – in many places they ...

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