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  1. Mar 27, 1997 · 2001: A Space Odyssey. Roger Ebert March 27, 1997. Tweet. May contain spoilers. HAL 9000. Now streaming on: Powered by JustWatch. The genius is not in how much Stanley Kubrick does in "2001: A Space Odyssey," but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention.

  2. Mar 27, 2024 · 2001: A Space Odyssey, American science-fiction film, released in 1968, that set the benchmark for all subsequent movies in the genre and consistently ranks among the top 10 movies ever made, especially known for its groundbreaking special effects and unconventional narrative.

  3. Jul 1, 2022 · The plot, in detail. This visual poetry begins its journey from millions of years ago. Apparently, apes are the most evolved species at the time. But, they aren’t modern enough to hunt their preys. They seem to be living off what the predators leave behind.

  4. Apr 16, 2018 · Onscreen it was 2001, but in the theatres it was still 1968, after all. Kubrick’s gleeful machinery, waltzing in time to Strauss, had bounded past an abundance of human misery on the ground.

  5. 2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and science fiction author Arthur C. Clarke, and was inspired by Clarke's 1951 short story "The Sentinel" and other short stories by Clarke.

  6. Sep 5, 2018 · Haunting. Shot of the three aligned again- a wormhole to evolution is the monolith, advancement, destruction. The famous graphic match edit- the bone to floating spacecraft- maybe the most famous cut in film history. Again poetry and beauty- elliptical shots of space travel.

  7. www.bfi.org.uk › film › cefccdb2-b558/5623/9c17-72b4be7bd4c12001: A Space Odyssey (1968) | BFI

    Eric Hynes. “A space opera of the most ambitious kind. Kubrick weds his stunning imagery to a beautiful soundtrack and creates something that can only be cinema.” John Bleasdale. “A bold and confident work that makes no apologies for its bombast, and nor should it: this is cinema at its operatic peak.” David Heslin.

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