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  1. André Derain (/ d ə ˈ r æ̃ /, French: [ɑ̃dʁe dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. [1] Life and career

  2. André Derain (, French: [ɑ̃dʁe dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Wikidata Q156272

    • June 10, 1880
    • September 8, 1954
    • Landscape near Chatou Andre Derain 1904.
    • Boats at Collioure Andre Derain 1905.
    • Estaque Andre Derain 1905.
    • Charing Cross Bridge, London Andre Derain 1906.
  3. André Derain had a major role in the development of two of the most significant artistic movements of the early-20 th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism.

    • French
    • June 10, 1880
    • Chatou, France
    • September 8, 1954
  4. Jun 6, 2024 · André Derain (born June 10, 1880, Chatou, France—died September 8, 1954, Garches) was a French painter, sculptor, printmaker, and designer who was one of the principal Fauvists. Derain studied painting in Paris at the Académie Carriere from 1898 to 1899. He developed his early style in association with Maurice de Vlaminck, whom he met in ...

    • The Editors of Encyclopaedia Britannica
  5. Jan 25, 2024 · André Derain was widely recognized as a major French painter and sculptor of the Fauvist movement, who also co-founded the movement Fauvism, alongside the Modernist Henri Matisse. Derain’s work was identified as les Fauves and dubbed a part of the “wild beasts” for his unconventional use of color in his city portraits and landscape ...

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  7. www.artnet.com › artists › andré-derainAndré Derain | Artnet

    André Derain. André Derain was a seminal French painter known for his landscapes, portraits, and still lifes. Alongside Henri Matisse, Derain pioneered the use of pure color relationships to produce vibrant Fauvist works such as London Bridge (1906). “Fauvism was our ordeal by fire—colors became charges of dynamite,” he once explained.

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