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Diary of a Lost Girl ( German: Tagebuch einer Verlorenen) is a 1929 German silent film directed by G. W. Pabst and starring American silent star Louise Brooks. The film is shot in black and white, and diverse versions of the film range from 79 minutes to 116 minutes in length. This was Brooks' second and last film with Pabst, and like their ...
- G. W. Pabst
- G. W. Pabst
- Hom-Film AG, Pabst-Film GmbH
Diary of a Lost Girl: Directed by Georg Wilhelm Pabst. With Louise Brooks, Fritz Rasp, Edith Meinhard, Vera Pawlowa. After falling pregnant by a pharmacist and refusing to marry, a young woman is ejected from her home and sent to a strict girls' reform school.
- (4.8K)
- Georg Wilhelm Pabst
- Not Rated
- Louise Brooks, Josef Rovenský, Fritz Rasp
Mar 22, 2012 · A classic silent film about a young girl's descent into prostitution and lesbianism, starring Louise Brooks as Thymian. Ebert praises her performance as "one of the most modern and effective of actors, projecting a presence that could be startling". He also discusses the film's themes, style, and legacy.
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Dec 31, 2014 · DIARY OF A LOST GIRL. Publication date. 1929. Topics. Louise Brooks. An abused and misused young woman is raped, incarcerated, forced into. prostitution, gives birth to an illegitimate child, and undergoes. assorted ill-advised love affairs, yet somehow continues to endure. G.
- 5 sec
- 872
- JTDIVER
Diary Of A Lost Girl (1929) -- (Movie Clip) My Full Grown Thymian Domestic mayhem from the beginning, Sybille Schmitz (as housekeeper/governess Elisabeth, and the model for the lead character director Rainer Werner Fassbinder’s Veronika Voss, 1982) flees, overseen by Aunt Frida (Vera Pawlowa) and the pharmacist Henning (Josef Rovensky), and alarming his daughter, Louise Brooks as the title ...
Jul 26, 2004 · Much of Diary of a Lost Girl is shot in a more realistic style than the expressionism of Pandora’s Box – although, as Tom Milne points out, Pabst uses both styles in Diary of a Lost Girl, with the opening sequences in the pharmacy presented in the manner of social-realism, and the scenes in the reform school utilising expressionist camera ...