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  1. Double Indemnity

    Double Indemnity

    1944 · Crime drama · 1h 46m

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  1. Summaries. A Los Angeles insurance representative lets an alluring housewife seduce him into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, an insurance investigator. In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis ...

  2. In this classic film noir, insurance salesman Walter Neff (Fred MacMurray) gets roped into a murderous scheme when he falls for the sensual Phyllis Dietrichson (Barbara Stanwyck), who is intent on...

    • (110)
    • Crime, Drama
  3. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured. Film Info. United States. English. 4K UHD + Blu-ray Special Edition Features.

  4. Double Indemnity, American film noir, released in 1944, that was considered the quintessential movie of its genre. It followed the time-honoured noir plotline of a man undone by an evil woman. (Read Martin Scorsese’s Britannica essay on film preservation.) The film was adapted by director Billy

  5. Double Indemnity is a 1943 crime novel by American journalist-turned-novelist James M. Cain. It was first published in serial form in Liberty magazine in 1936 and later republished as one of "three long short tales" in the collection Three of a Kind.

  6. Double Indemnity: An In-Depth Look At A Film Noir Classic | The Artifice. Barbara Stanwyck and Fred MacMurray in Double Indemnity, Billy Wilder 1944. ‘It has all the characteristics of the classic forties film as I respond to it. It’s in black and white, it has fast badinage, it’s very witty, a story from the classic age.

  7. May 31, 2022 · There’s a reason Double Indemnity has endured for nearly eighty years. It is achingly complex in its relationship to the thematic fuel that powers noir—alienation, masculinity, desire, and the dreams and fears of white America.

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