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  1. Ernst Lubitsch

    Ernst Lubitsch

    German-American actor and film director

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  1. Ernst Lubitsch filmography. This is a list of films directed by Ernst Lubitsch. He made a total of 72 films (44 feature films and 28 short films) in a career that spanned 4 decades.

  2. Ernst Lubitsch (1892-1947) Ernst Lubitsch. Director. Actor. Writer. IMDbPro Starmeter See rank. From Ernst Lubitsch's experiences in Sophien Gymnasium (high school) theater, he decided to leave school at the age of 16 and pursue a career on the stage. He had to compromise with his father and keep the account books for the family tailor business ...

    • January 1, 1
    • Berlin, Germany
    • January 1, 1
    • Hollywood, Los Angeles, California, USA
  3. Apr 28, 2024 · Image by Federico Napoli. Ernest Lubitsch was a German-born American filmmaker who specialized in witty comedies. He directed an impressive 44 features between 1914 and 1948, both during the ...

  4. The movies of Ernst Lubitsch. by Marlene_ • Created 3 years ago • Modified 2 years ago. Just a note. Most of his movies were also in large part written by him, but due to the way studios liked to keep the jobs of directors and writers separated, Lubitsch rarely was properly credited for his contributions in writing.

  5. 1. Ninotchka (1939) Not Rated | 110 min | Comedy, Romance. 7.8. Rate. A stern Soviet woman sent to Paris to supervise the sale of jewels seized from Russian nobles finds herself attracted to a man who represents everything she is supposed to detest. Director: Ernst Lubitsch | Stars: Greta Garbo, Melvyn Douglas, Ina Claire, Bela Lugosi.

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  7. Jan 30, 2018 · The Love Parade (1929) Fresh from earning his first Oscar nomination with The Patriot (1928) and experimenting with synchronous sound on Eternal Love (1929), Lubitsch transformed the nascent screen musical with this inspired Ruritanian romance.

  8. Lubitsch is best known for screwball comedies and romantic comedies, such as Trouble in Paradise (1932), Ninotchka (1939), The Shop Around the Corner (1940) and To Be or Not to Be (1942). While being escapist, his films often offer social commentary on human relationships and society in a satirical way.

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