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Joos van Cleve (/ ˈ k l eɪ v ə /; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting , he combines the traditional techniques of Early Netherlandish painting with influences of more ...
Mar 18, 2024 · Joos van Cleve (born c. 1480—died 1540, Antwerp, Flanders [now in Belgium]) was a Netherlandish painter known for his portraits of royalty and his religious paintings. He is now often identified with the “Master of the Death of the Virgin.”. In 1511 Joos van Cleve entered the Antwerp guild as a master painter, and in 1520 he was appointed ...
- The Editors of Encyclopaedia Britannica
Joos van Cleve emigrated to Antwerp, perhaps by way of Bruges, and in 1511 he was accepted as a freemaster in the guild of Saint Luke in Antwerp. In 1519, 1520, and 1525 he was co-deacon of the guild and is listed as presenting pupils in 1516, 1523, 1535, and 1536. Joos van Cleve's skill as a portraitist caused him to be summoned to the court ...
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The Holy Family. Joos van Cleve Netherlandish. ca. 1512–13. On view at The Met Fifth Avenue in Gallery 636. Joos based this depiction of the Virgin and Child on a celebrated work by Jan van Eyck, but with the addition of a figure of Saint Joseph. The fruits and wine allude to Christ’s incarnation and sacrifice, yet, presented as part of ...
Joos van Cleve (also known as Joos van der Beke) became a master in Antwerp in 1511 and died in the winter of 1540-1. He evidently spent time at the French court where he painted pictures including portraits for the French King Francis I. Joos van Cleve had many assistants and appears to have collaborated on occasion with other independent masters.
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance ...
Vol. 2, Vienna, 1910, p. 609, lists it under Jan van Scorel [then regarded by some as a candidate for identification with the Master of the Death of the Virgin, now recognized by almost all to be Joos van Cleve] as a forgery along with most other similar half–length compositions in the group.
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