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  1. Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder (Aalst, 14 August 1502 – Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries.

  2. Feb 21, 2024 · Pieter Coecke van Aelst. Through teaching, designs, and publications, Pieter Coecke van Aelst stimulated the sculpture, architecture, and painting of his day. His translations of Italian architectural treatises helped to introduce Italian art theory into the Netherlands. Born in Aelst, where his father was deputy mayor, Coecke may have studied ...

  3. New York: Metropolitan Museum of Art. Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis ...

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  5. This international loan exhibition explores the achievements of the great northern Renaissance master Pieter Coecke van Aelst (1502–1550). As the impressive body of his surviving drawings makes clear, Coecke was a master designer, devising projects across media, from tapestry series, to panel paintings, prints, stained glass, and goldsmith's ...

  6. Nov 4, 2014 · A young museum visitor comes face to face with a monster in the Pride tapestry from a set of the Seven Deadly Sins. Designed by Pieter Coecke van Aelst, ca. 1532–34. Woven under the direction of Willem de Pannemaker, Brussels, before 1544. Wool, silk, and silver- and silver-gilt-metal-wrapped threads.

  7. Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries. His principal subjects were Christian religious themes.

  8. Oct 16, 2014 · Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry. By The New Yorker. October 16, 2014. © The Metropolitan Museum of Art/Courtesy Patrimonio Nacional. Before he became the museum’s ...

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