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Invisibles (French: Les Invisibles) is a 2018 French comedy-drama film directed by Louis-Julien Petit, based on the 2015 novel Sur la Route des Invisibles, Femmes Dans La Rue by Claire Lajeunie. [5] The film premiered at the 2018 Angoulême Francophone Film Festival and was released on 9 January 2019, to generally positive reviews.
- $19 million
- Liza Benguigui, Philippe Dupuis-Mendel
- Laurent Perez Del Mar
Jan 9, 2019 · Invisibles: Directed by Louis-Julien Petit. With Patricia Mouchon, Khoukha Boukherbache, Bérangère Toural, Patricia Guery. Following a municipal decision, SDF Women's Shelter, will close. There are only three months left for social workers to reintegrate at any cost the women they care for: falsification, pistons, lies - From now on ...
- (1.6K)
- 2 min
- Louis-Julien Petit
- 1
Durée. 102 minutes. Sortie. 2018. Pour plus de détails, voir Fiche technique et Distribution. modifier. Les Invisibles est une comédie française réalisée par Louis-Julien Petit, sortie en 2018. Le film est une adaptation du livre de Claire Lajeunie, Sur la route des invisibles, femmes dans la rue 1 .
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Synopsis. This film is about men and women who, born during the interwar period, have nothing in common apart from being homosexuals and have chosen to live in broad daylight in an era when society rejected homosexuality. They loved, desired, and fought to be recognized. [5]
- Antoine Parouty
- Sébastien Lifshitz
- 115 minutes
- Pauline Gaillard and Tina Baz
Country: France. Language: French. Support: Color. Runtime: 102 min. Aka: Invisibles. An in-depth review of the film Les Invisibles (2019), aka Invisibles, directed by Louis-Julien Petit, featuring Audrey Lamy, Corinne Masiero, Noemie Lvovsky.
- Louis-Julien Petit
Feb 4, 2019 · ‘Invisibles’ (‘Les Invisibles’): Film Review Writer-director Louis-Julien Petit’s second feature 'Invisibles' is set in a women’s homeless shelter, mixing a veteran cast with several ...
Social commentary, feminist anthem, broad comedy with a side of rom com – Louis-Julien Petit’s Les Invisibles is a marvellous genre-bending confection. That these dimensions don’t fuse seamlessly, but often collide, only serves to underline and expose the messiness of its heroines’ lives – these ‘invisibles‘ society left behind.