Richard Burton
Jimmy Porter
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Look Back in Anger (1956) is a realist play written by John Osborne. It focuses on the life and marital struggles of an intelligent and educated but disaffected young man of working-class origin, Jimmy Porter, and his equally competent yet impassive upper-middle-class wife Alison.
- John Osborne
- 8 May 1956
- 1956
- Royal Court Theatre, London
A disillusioned, angry university graduate comes to terms with his grudge against middle-class life and values. The film is based on John Osborne's play and stars Richard Burton, Claire Bloom and Mary Ure.
- Xstal
- 3 min
- Tony Richardson
- 56
A summary of the play Look Back in Anger by John Osborne, a classic drama of class conflict and marital breakdown in 1950s England. The play follows a young husband and wife, Alison and Jimmy Porter, as they face challenges from their upper class and working class backgrounds, their friends, and their own emotions. The summary covers the main events, themes, characters, and symbols of the play.
Look Back in Anger is a 1959 British kitchen sink drama film starring Richard Burton, Claire Bloom and Mary Ure and directed by Tony Richardson. The film is based on John Osborne 's play about a love triangle involving an intelligent but disaffected working-class young man (Jimmy Porter), his upper-middle-class, impassive wife (Alison) and her ...
- Harry Saltzman, Gordon Scott
Look Back in Anger, play in three acts by John Osborne, performed in 1956 and published in 1957. A published description of Osborne as an “angry young man” was extended to apply to an entire generation of disaffected young British writers who identified with the lower classes and viewed the upper.
- The Editors of Encyclopaedia Britannica
Look Back in Anger study guide contains a biography of John Osborne, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Best summary PDF, themes, and quotes.
Feb 7, 2017 · A Short Analysis of John Osborne’s Look Back in Anger. By Dr Oliver Tearle. Looking back at Look Back in Anger, we are likely to gauge and analyse John Osborne’s approach to masculinity and relationships differently from the way original theatregoers and critics did (such as Kenneth Tynan, who enthusiastically promoted the play ).
