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  1. Pierre-Paul Prud'hon ( French pronunciation: [pjɛʁ pɔl pʁydɔ̃], 4 April 1758 – 16 February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as Madame Georges Anthony and Her Two Sons (1796). He painted a portrait of each of Napoleon 's two wives.

    • 16 February 1823 (aged 64), Paris, France
    • French
  2. Pierre-Paul Prud'hon (April 4, 1758 – February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits. In particular, he painted a portrait of each of Napoleon's wives. He was an early influence on Théodore Géricault .

    • April 4, 1758
    • February 16, 1823
  3. Hours: 10:00 a.m. to 5:00 p.m. daily. West Building 6th St and Constitution Ave NW Enter or exit from Constitution Avenue, 4th Street, or 7th Street.

  4. Apr 3, 2024 · Pierre-Paul Prudhon was a French draftsman and painter whose work bridges the Neoclassical spirit of the late 18th century and the more personal expression of 19th-century Romanticism. After training at Dijon, France, Prud’hon went to Rome (1784), where he became acquainted with the Neoclassical.

    • The Editors of Encyclopaedia Britannica
  5. Pierre-Paul Prud'hon (French pronunciation: [pjɛʁ pɔl pʁydɔ̃], 4 April 1758 – 16 February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as Madame Georges Anthony and Her Two Sons (1796). He painted a portrait of each of Napoleon's two wives.

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  7. Artist: Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris) Artist: completed by Charles Pompée Le Boulanger de Boisfrémont (French, Rouen 1773–1838 Paris) Date: ?1813–17; 1823–24? Medium: Oil on canvas. Dimensions: 52 x 67 1/8 in. (132.1 x 170.5 cm) Classification: Paintings. Credit Line: Bequest of Collis P. Huntington, 1900.

  8. Pierre-Paul Prudhon (France, 1758–1823) | National Gallery of Canada. Christopher Etheridge. December 14, 2012. Magazine. Pierre-Paul Prudhon was fascinated by the subject of this painting: love, and its delicate balance between eroticism, desire and grief.

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