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  1. Roberto Rossellini

    Roberto Rossellini

    Italian film director

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  1. May 17, 2018 · Director Roberto Rossellini (1906-1977) was responsible for revitalizing Italian cinema after World War II with his neo-realist films, especially Roma, Citta Aperta ( Rome, Open City; 1945). After a long, somewhat uneven career in cinema, Rossellini spent his last creative years working in television, one of the first important film directors ...

  2. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and philosophical stringency that changed the course of film history. Rossellini broke out with ROME OPEN CITY, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, fol...

  3. Mar 13, 2023 · Roberto Rossellini was one of the most important post-World War II directors, known for masterpieces like Europe '51, Germany Year Zero, and Paisan.

  4. 2 days ago · Shortly after its New York premiere, Rome, Open City screened at the inaugural Cannes Film Festival. Despite Rossellini later claiming that it played to a small audience and “went quite unnoticed”, it was awarded the ‘Grand Prix du Festival International du Film’ (later renamed as the Palme d’Or). Its place in film history had been ...

  5. Nov 15, 2006 · Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies (Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.

  6. May 6, 2013 · Journey To Italy: the Italian film that kickstarted the French New Wave. Roberto Rossellini's half-improvised neo-realist masterpiece uses the ruins of Pompeii as an unforgettable metaphor...

  7. Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema.

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