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      • For Nietzsche, a person is a set of drives ordered or ranked a certain way; there is no will or subject separate from these that could carry out the work of becoming. What is most important is that one’s drives be coordinated in a single entity. Through these tactics some of us can become what we are.
      www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199534647.001.0001/oxfordhb-9780199534647-e-003
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  2. Friedrich Nietzsche - Oxford Reference

    www.oxfordreference.com/view/10.1093/acref/...

    Feb 15, 2021 · German philosopher and writer. Woman was God's second blunder. Der Antichrist (1888) God is dead: but considering the state the species Man is in, there will perhaps be caves, for ages yet, in which his shadow will be shown.

  3. Nietzsche: Philosopher, Psychologist, Antichrist - Wikipedia

    en.wikipedia.org/wiki/Nietzsche:_Philosopher...

    Feb 16, 2021 · Nietzsche: Philosopher, Psychologist, Antichrist is a book about the German philosopher Friedrich Nietzsche by the philosopher Walter Kaufmann. The book, first published by Princeton University Press, was influential and is considered a classic study. Kaufmann has been credited with helping to transform Nietzsche's reputation after World War II by dissociating him from Nazism, and making it possible for Nietzsche to be taken seriously as a philosopher. However, Kaufmann has been criticized for p

    • Walter Arnold Kaufmann
    • United States
    • 1950
    • 1950
  4. Nietzsche’s Philosophical Aestheticism - Oxford Handbooks

    www.oxfordhandbooks.com/view/10.1093/oxfordhb/...

    Feb 16, 2021 · This article explores Nietzsche’s philosophical aestheticism—the conception of art and the aesthetic as playing a necessary, internal, privileged role in the task of philosophy. It begins with an overview of the discussions of art and the aesthetic in Nietzsche’s writings, focusing on his early theory of tragedy.

    • Sebastian Gardner
    • 2
    • 2013
  5. God is dead - Wikipedia

    en.wikipedia.org/wiki/God_is_dead

    1 day ago · God is Dead" (German: Gott ist tot (help · info); also known as The Death of God) is a widely quoted statement made by the German philosopher Friedrich Nietzsche. Nietzsche used the phrase to express his idea that the Enlightenment had eliminated the possibility of the existence of God .

  6. Nietzsche’s Antichrist - Oxford Handbooks

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    Feb 14, 2021 · This article examines Nietzsche’s The Antichrist. Nietzsche constructed his own history of Christianity with its roots in Judaism. It is framed not so much by the historical Jesus as by the distortions of him imposed by the early Christians, Paul in particular. Motivated by resentment over his death, the early disciples interpreted the ‘kingdom of God’, by which Jesus meant an inner peace, into a realm after death in which sinners would be punished and the good rewarded.

    • Dylan Jaggard
    • 1
    • 2013
  7. On Truth and Lies in a Nonmoral Sense - Wikipedia

    en.wikipedia.org/wiki/On_Truth_and_Lies_in_a_Non...

    Feb 15, 2021 · On Truth and Lies in a Nonmoral Sense (German: Über Wahrheit und Lüge im aussermoralischen Sinne, also called On Truth and Lie in an Extra-Moral Sense) is a philosophical essay by Friedrich Nietzsche.

  8. Nietzsche as a Philosopher of Racialized Breeding - Oxford ...

    www.oxfordhandbooks.com/view/10.1093/oxfordhb/...

    5 days ago · He is a founding editor of the journal Critical Philosophy of Race and the editor of a number of collections on race. He is the author of two books on Heidegger, a book on Sartre, and numerous articles in critical philosophy of race and continental philosophy.

  9. Nietzsche and Romanticism: Goethe, Hölderlin, and Wagner ...

    www.oxfordhandbooks.com/view/10.1093/oxfordhb/...

    6 days ago · It considers the extent to which Nietzsche shared Goethe’s famous equation of the classical with health and the romantic with sickness—which Nietzsche most often calls decadence. It argues that there are deep programmatic and even textual affinities between Nietzsche’s Zarathustra and Hölderlin’s Hyperion. It was fundamentally through his engagement with Wagner that Nietzsche first came to realize that romanticism actually embodied a life-denying repudiation of this world rather ...

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