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Guitarrón. Le guitarrón, guitarron, teloloche ou chitarrone ( chitarrone est également l'expression italienne primitive désignant le théorbe qui apparaît vers la fin du XVIe siècle) est un instrument de musique à cordes pincées mexicain. Il ressemble à une grosse guitare et date des XVIe et XVIIe siècles. Le guitarrón est souvent ...
peint par Barbara Krafft en 1819. Wolfgang Amadeus Mozart ou Johannes Chrysostomus Wolfgangus Theophilus Mozart 1, né le 27 janvier 1756 à Salzbourg ( Principauté archiépiscopale de Salzbourg) et mort le 5 décembre 1791 à Vienne, est un compositeur autrichien de la période classique 2. Il est considéré comme l'un des plus grands ...
- Joannes Chrysostomus Wolfgangus Theophilus Mozart
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Le guitarrón mexicano est un instrument à cordes inventé au Mexique au XIXe siècle pour jouer les notes graves du mariachi. Il rappelle la guitare par sa forme et ses cordes, mais il est plus grand, plus large et son manche est proportionnellement plus court. Il utilise six cordes, qui sont accordées différemment de celles de la guitare ...
- Life and Career
- Appearance and Character
- Works, Musical Style, and Innovations
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1773–77: Employment at the Salzburg court
After finally returning with his father from Italy on 13 March 1773, Mozart was employed as a court musician by the ruler of Salzburg, Prince-Archbishop Hieronymus Colloredo. The composer had many friends and admirers in Salzburg and had the opportunity to work in many genres, including symphonies, sonatas, string quartets, masses, serenades, and a few minor operas. Between April and December 1775, Mozart developed an enthusiasm for violin concertos, producing a series of five (the only ones...
1777–78: Journey to Paris
In August 1777, Mozart resigned his position at Salzburg[f] and on 23 September ventured out once more in search of employment, with visits to Augsburg, Mannheim, Paris, and Munich. Mozart became acquainted with members of the famous orchestra in Mannheim, the best in Europe at the time. He also fell in love with Aloysia Weber, one of four daughters of a musical family. There were prospects of employment in Mannheim, but they came to nothing, and Mozart left for Paris on 14 March 1778 to cont...
Mozart's physical appearance was described by tenor Michael Kelly in his Reminiscences: "a remarkably small man, very thin and pale, with a profusion of fine, fair hair of which he was rather vain". His early biographer Niemetschek wrote, "there was nothing special about [his] physique.... He was small and his countenance, except for his large inte...
Style
Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in ever...
Köchel catalogue
For unambiguous identification of works by Mozart, a Köchel catalogue number is used. This is a unique number assigned, in regular chronological order, to every one of his known works. A work is referenced by the abbreviation "K." or "KV" followed by this number. The first edition of the catalogue was completed in 1862 by Ludwig von Köchel. It has since been repeatedly updated, as scholarly research improves knowledge of the dates and authenticity of individual works.
Instruments
Although some of Mozart's early pieces were written for harpsichord, he also became acquainted in his early years with fortepianos made by Regensburg builder Franz Jakob Späth. Later when Mozart was visiting Augsburg, he was impressed by Stein fortepianos and shared this in a letter to his father. On 22 October 1777, Mozart had premiered his triple-piano concerto, K. 242, on instruments provided by Stein. The Augsburg Cathedral organist Demmler was playing the first, Mozart the second and Ste...
His most famous pupil was Johann Nepomuk Hummel, a transitional figure between the Classical and Romantic eras whom the Mozarts took into their Vienna home for two years as a child.More important is the influence Mozart had on composers of later generations. Ever since the surge in his reputation after his death, studying his scores has been a stan...
Homepage for the Salzburg Mozarteum Foundation"Discovering Mozart". BBC Radio 3.Wolfgang Amadeus Mozart at IMDb- 27 January 1756, Getreidegasse 9, Salzburg
- Mozart family
- 5 December 1791 (aged 35), Vienna
- Constanze Mozart
The guitarrón mexicano ( Spanish for "big Mexican guitar", the suffix -ón being a Spanish augmentative) or Mexican guitarrón is a very large, deep-bodied Mexican six-string acoustic bass guitar played traditionally in Mariachi groups. Although similar to the guitar, it is not a derivative of that instrument, but was independently developed ...
Mar 12, 2018 · The Guitarrón was the instrument preferred by the mariachi musicians in central Jalisco. The Guitarrón is a large bass guitar. Guitarrón translates to large guitar – the suffix means big or large. It has 6 strings - 3 that are nylon wound with a nylon monofilament core or nylon fibers, and 3 that are steel, bronze or copper wound with a ...
Jun 1, 2023 · Définition. Wolfgang Amadeus Mozart (1756-1791) était un compositeur autrichien qui composa un large éventail d'œuvres, notamment des concertos pour piano, des quatuors à cordes, des symphonies, des opéras et de la musique sacrée. Considéré comme l'un des plus grands talents musicaux naturels, voire le plus grand, Mozart mourut sans le ...