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  1. Mark Rothko today has his place as one of the most important painters of post-World War II modernism. His radical refusal to copy nature reduced painting to large, vibrant fields of color. His works were a seminar influence on the development of monochrome painting.

  2. May 16, 2021 · Art. 12 Famous Paintings by Mark Rothko. By The Artist Editorial May 16, 2021 No Comments 7 Mins Read. Mark Rothko, an American of Jewish and Russian heritage, is a famous painter well known for his works of abstraction and particularly for the fusion of colors throughout his work. Contents hide. 1.Black on Maroon. 2.Untitled (Black on Grey)

  3. www.moma.org › artists › 5047Mark Rothko | MoMA

    Mark Rothko (IPA: ), Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970), was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.

  4. Summary of Mark Rothko. A prominent figure among the New York School painters, Mark Rothko moved through many artistic styles until reaching his signature 1950s motif of soft, rectangular forms floating on a stained field of color. Heavily influenced by mythology and philosophy, he was insistent that his art was filled with content, and ...

  5. Artwork Details. Overview. Inscriptions and Markings. Provenance. Exhibition History. References. Title: No. 3. Artist: Mark Rothko (American (born Russia, now Latvia), Dvinsk 1903–1970 New York) Date: 1953. Medium: Oil on canvas. Dimensions: 67 7/8 × 54 1/4 in. (172.4 × 137.8 cm) Classification: Paintings.

  6. Modern and Contemporary Art. No. 13 (White, Red on Yellow) Mark Rothko American, born Russia. 1958. Not on view. Abstract Expressionism, the style of painting that achieved prominence in the 1950s, encompasses two very different sensibilities.

  7. During a career that spanned five decades, he created a new and impassioned form of abstract painting. Rothko's work is characterized by rigorous attention to formal elements such as color, shape, balance, depth, composition, and scale; yet, he refused to consider his paintings solely in these terms. He explained: "It is a widely accepted ...

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