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  1. Metropolis (1927 film) - Wikipedia

    en.wikipedia.org/wiki/Metropolis_(1927_film)

    5 days ago · Metropolis features a range of elaborate special effects and set designs, ranging from a huge gothic cathedral to a futuristic cityscape. In an interview, Fritz Lang reported that "the film was born from my first sight of the skyscrapers in New York in October 1924".

    • Brigitte Helm

      Brigitte Helm (born Brigitte Eva Gisela Schittenhelm, 17...

    • Heinrich George

      Career Weimar Republic. George is noted for having spooked...

    • Fritz Rasp

      Fritz Rasp was awarded with the Filmband in Gold in 1963 for...

    • Tower of Babel

      The Tower of Babel (Hebrew: מִגְדַּל בָּבֶל ‎ ‎, Migdal...

  2. Metrópolis (película) - Wikipedia, la enciclopedia libre

    es.wikipedia.org/wiki/Metrópolis_(película)

    5 days ago · Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear. New York: Camden House. ISBN 978-1-57113-146-1. En español. Pedraza, Pilar: «Metrópolis», Fritz Lang: estudio crítico. Ediciones Paidós Ibérica, S.A. 2000 ISBN 84-493-0879-8

  3. Woman in the Moon - Wikipedia

    en.wikipedia.org/wiki/Woman_in_the_Moon

    5 days ago · Woman in the Moon (German Frau im Mond) is a science fiction silent film that premiered 15 October 1929 at the UFA-Palast am Zoo cinema in Berlin to an audience of 2,000. It is often considered to be one of the first "serious" science fiction films.

  4. The Testament of Dr. Mabuse - Wikipedia

    en.wikipedia.org/wiki/The_Testament_of_Dr._Mabuse

    4 days ago · The Testament of Dr. Mabuse (German: Das Testament des Dr. Mabuse), also called The Last Will of Dr. Mabuse, is a 1933 German crime-thriller film directed by Fritz Lang.The movie is a sequel to Lang's silent film Dr. Mabuse the Gambler (1922) and features many cast and crew members from Lang's previous films.

  5. Schüfftan process - Wikipedia

    en.wikipedia.org/wiki/Schüfftan_process

    Nov 19, 2020 · The movie's director, Fritz Lang, wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Schüfftan used a specially made mirror to create the illusion of actors interacting with huge, realistic-looking sets. Schüfftan placed a plate of glass at a 45-degree angle between the camera and the miniature buildings.

  6. The Cabinet of Dr. Caligari - Wikipedia

    en.wikipedia.org/wiki/The_Cabinet_of_Dr._Caligari

    2 days ago · Among the films to use these elements were Murnau's Nosferatu (1922) and The Last Laugh (1924), G. W. Pabst's Secrets of a Soul (1926), and Lang's Metropolis (1927) and M (1931). [160] [162] The success of Caligari also affected the way in which German films were produced during the 1920s.

  7. DVD Talk reviews for Tuesday, November 24th, 2020 - DVD Talk ...

    forum.dvdtalk.com/dvd-reviews-recommendations/...

    1 day ago · Acclaimed cinematographer Eugen Schüfftan, whose diverse credits include the photography of Eyes without a Face and The Hustler, but who also did special effects for Fritz Lang's Metropolis, is likewise credited here with the visual effects, though in recent years much more attention has been paid ...

  8. 150 Best Sci-Fi Movies of All Time – 150 Best Science-Fiction ...

    editorial.rottentomatoes.com/guide/best-sci-fi...

    3 days ago · Critics Consensus: A remarkable technical achievement, Metropolis' eye-popping visuals more than compensate for its relatively routine story. Synopsis: Playing like a candy-colored hybrid of Fritz Lang's film of the same name and Ridley Scott's Blade Runner, Osamu Tezuka's...

  9. Tyskland – Wikipedia

    sv.wikipedia.org/wiki/Tysk_kultur

    Tysk film hade under 1920- och 1930-talet en första storhetstid med filmer som Metropolis och Der blaue Engel. Regissörerna hette bland annat Fritz Lang , F.W. Murnau och Josef von Sternberg . Ufa var Tysklands stora filmindustri innan Andra världskriget .

  10. Utopia - Viquipèdia, l'enciclopèdia lliure

    ca.wikipedia.org/wiki/Utopies

    3 days ago · Alhora, les armes noves de la Gran Guerra i l'extensió del taylorisme, emblema dels temps moderns ridiculitzats per Charlot, posen de manifest la cara inquietant de la tecnologia mecànica, plasmada en obres com la del dramaturg txec Karel Čapek, R.U.R. (1920), que escenifica una revolta de robots, o la pel·lícula de Fritz Lang Metropolis ...

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