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Aug 6, 2022 · Still Life with a Ginger Jar and Eggplants by Paul Cézanne, 1893-4, via Metropolitan Museum of Art, New York. Cézanne was focused on form, but he didn’t create it via the traditional method of using light and shade to imply volume through modeling. In fact, highlights and shadows are largely absent from his forms altogether.
- Alexandra Kiely
Cézanne’s Still Lifes at the National Gallery of Art Lessons & Activities. Paul Cézanne French, 1839–1906 Cézanne Sketchbook, c. 1877/1900 sketchbook with 71 drawings in graphite, pen and brown ink, and watercolor; the sketchbook contains 46 sheets, several which are blank; the end papers, the recto of the first page, and half the verso of the final page were used for notes, lists ...
The Painting: Paul Cézanne often has been called a master of still-life painting. In The Met’s picture, we can see why. The white tablecloth and the apples rise and fall in variegated hillocks of a lush new territory, the world of Cézanne’s apples, where the sense of the solidity of the apples is closely allied to their spherical geometry
The text on this page is licensed under a Creative Commons Attribution 4.0 International License, unless otherwise noted. Images and other media are excluded. Still Life with Apples; 1893–1894; Paul Cézanne (French, 1839 - 1906); Oil on canvas; Unframed: 65.4 × 81.6 cm (25 3/4 × 32 1/8 in.); 96.PA.8 The J. Paul Getty Museum in Los Angeles.
In his still-life paintings from the mid-1870s, Cézanne abandoned his thickly encrusted surfaces and began to address technical problems of form and color by experimenting with subtly gradated tonal variations, or “constructive brushstrokes,” to create dimension in his objects.
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Apr 10, 2024 · Paul Cézanne was a French painter, one of the greatest of the Post-Impressionists, whose works and ideas were influential in the aesthetic development of many 20th-century artists and art movements, especially Cubism. Cézanne’s art, misunderstood and discredited by the public during most of his life, eventually challenged all the conventional values of painting in the 19th century.
Still Life with Apples. 1895-98. Still Life with Apples demonstrates that the genre of still life can be a vehicle for faithfully representing not only objects but also the appearance of light and space. Painting from nature is not copying the object, Cézanne wrote, it is realizing ones sensations. He consistently drew attention to the quality ...
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