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- Overview
- Background and early years.
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Paul III, (born Feb. 29, 1468, Canino, Papal States—died Nov. 10, 1549, Rome) Italian noble who was the last of the Renaissance popes (reigned 1534–49) and the first pope of the Counter-Reformation. The worldly Paul III was a notable patron of the arts and at the same time encouraged the beginning of the reform movement that was to affect deeply th...
Alessandro was the son of Pier Luigi Farnese and Giovannella Gaetani. In service to the papacy since the 12th century, the Farnese family had extended its possessions from a stronghold on Lake Bolsena south and westward to include most of the fiefs between Perugia, Orvieto, Sermoneta, and the sea. In 1417 Ranuccio Farnese (the Elder), one of the most celebrated condottieri (mercenary soldiers) of his time, had been made a Roman senator by Pope Martin V. Ranuccio’s son Pier Luigi, by marriage with the Gaetani heiress, solidified the Farnese position in the Roman nobility. In 1489, Pier Luigi’s daughter Giulia la Bella married Orsino Orsini, a relative of the Spanish cardinal Rodrigo Borgia (Borja), and became a favourite at the papal court. Her brother Bartolommeo became lord of Montalto; her other brother, Alessandro, was destined for the church.
Sensitive and talented, Alessandro Farnese was entrusted to the Humanist Pomponio Leto for his early education and then joined the Medici circle in Florence under Lorenzo the Magnificent. There he was associated with Giovanni de’ Medici (the future Pope Leo X) and attended the University of Pisa.
Because of an obscure family quarrel, Alessandro’s early sojourn in Rome was interrupted by a short prison term under Pope Innocent VIII. But his career was assured when Cardinal Rodrigo Borgia became his patron. On Rodrigo’s election to the papacy (taking the name Alexander VI), he made Alessandro treasurer of the Roman Church and a year later, on Sept. 20, 1493, created him a cardinal deacon. Gossip traced Alessandro’s rapid preferment to the intimacy between his sister Giulia and the Borgia pope, and Alessandro was referred to as the “petticoat cardinal.”
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Although a prelate, Alessandro did not become an ordained priest until 1519. Meanwhile, he conducted himself like a Renaissance nobleman. Of wide artistic tastes and philosophic interests, he increased his revenues with multiple benefices. He travelled on diplomatic missions, enjoyed the hunt, and delighted in majestic religious and secular ceremonies. Favoured also by Pope Leo X, he used his wealth to enhance his family position and constructed the famous Palazzo Farnese, on the Via Giulia in Rome. Moreover, despite his unfeigned personal piety, the Farnese cardinal kept a wellborn Roman mistress by whom he fathered four children—Pier Luigi, Paolo, Ranuccio, and Costanza. (Later, as Pope Paul III, he provoked serious charges of nepotism by using his papal influence to further the interests of his children and their families, going so far in one celebrated incident as to appoint two of his grandchildren, still in their teens, to the cardinalate.)
The Farnese cardinal’s diplomatic skills made him an invaluable aid to the five pontiffs in whose election he participated—Pius III, Julius II, Leo X, Adrian VI, and Clement VII—before he himself emerged as the Roman pontiff on Oct. 13, 1534. At the age of 67, Pope Paul, though apparently frail, was a man of great charm and determination. He was described in diplomatic reports as shrewd and affable, deliberately slow of speech yet loquacious, expressing himself in an elegant Italian or Latin with learned allusions, and scrupulously refraining from tying himself down to a definite “yes” or “no” until the final settlement of an issue—but then able to act with swift, uncompromising dispatch.
Of medium height, spare of figure, with an aquiline nose, ruddy complexion, and aristocratic hands, Paul III was portrayed by Titian in 1543 at age 75 in the full vigour of his pontificate. Two later Titian portraits depict the ravages of age on the pontiff but reveal the depth of intelligence and strength that accompanied him to his last breath at 82.
The pontiff kept himself in good health by frequent excursions in Rome and the countryside, supervising urban projects and fortifications. He encouraged agriculture and provided for new food supplies. His coronation was accompanied by tournaments and pageants, signalling the end of the austerity imposed by the sack of Rome in 1527. In 1536 he authorized the revival of the carnival and rearranged the main thoroughfare in Rome for the visit of the Emperor Charles V, restoring the panoply of traditional ceremonies for the reception of princes and ambassadors. His lavish policies brought prosperity to Rome and the Papal States.
Despite charges of paganism levelled against his pontificate for its secular extravagances—even astrologers were admitted to the papal court—Pope Paul was determined to reform the church. Aware, however, of the setback suffered by Pope Adrian VI’s precipitate reform policy a decade earlier, he proceeded, in the face of great internal opposition, with a slow but deliberate call for conversion of the Roman clergy and curia, as well as a reorganization of the papal offices. Immediately upon his election he announced his intention to hold a council and summoned the papal ambassadors Girolamo Aleandro and Pietro Paolo Vergerio from Venice and Vienna, respectively, for consultation about the dangerous state of the church in the north. He then dispatched Vergerio to Austria and Germany on a two-year sojourn to enlist prelates and princes in the project of holding a council in Mantua or Turin. The Protestants for years had been clamouring for such an assembly on German soil, free of Roman domination. The papacy, however, had feared the calling of a general council would compromise its authority. Paul, however, proceeded with preparations for the council even after it was rejected by Martin Luther and the Protestant leaders.
In a series of consistories, or consultative assemblies, he created cardinals of proved virtue throughout Europe. He also encouraged the foundation of new religious orders and congregations, such as the Theatines, Somaschi, Barnabites, and the Ursuline nuns. Particularly important was his confirmation of the new Jesuit order, which was to provide the papacy with one of its principal instruments in promoting the Counter-Reformation.
Pope Paul’s greatest problems were caused by his relations with Emperor Charles V and the French king Francis I, whom he tried to persuade to cease their inveterate wars and turn their forces against the Ottoman Turks, who menaced the coasts of Italy as well as the outposts of Christendom in the East. He encouraged the Emperor to suppress the Lutheran Schmalkaldic League, urged the French king to eliminate the Huguenots, and employed tortuous diplomatic skill to avoid siding with either monarch. In 1538 he journeyed to Nice in an attempt to bring them together. That same year, he excommunicated the English king Henry VIII, who had declared himself head of the English Church. (An earlier sentence of excommunication under Clement VII had been suspended.) Using the military skill of Pier Luigi (his son by his former mistress) and the diplomacy of his grandson Cardinal Alessandro, Paul asserted papal control over central Italy, skillfully avoiding encirclement by both the imperial and French forces.
- Francis Xavier Murphy
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The artwork, titled “Pope Paul III,” is an oil on canvas portrait painted by the renowned artist Titian in the year 1543. It stands as an exemplar of the Mannerism art movement, which characterized the Late Renaissance period. The painting measures 106 by 85 centimeters and presently graces the National Museum of Capodimonte in Naples, Italy.
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Mar 16, 2021 · This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Pope Paul III by Titian in National Museum of Capodimonte. You can see its nomination here .
Paul III - Council of Trent, Papal Reforms, Reformation: In May 1536 Pope Paul published a bull of convocation for his proposed council to be held in Mantua. He also authorized a select group of cardinals to draw up a report on the abuses within the church.
