Peter Blake (artist)
Search results
Hamilton's definition of Pop Art from a letter to Alison and Peter Smithson dated 16 January 1957 was: "Pop Art is: popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business", stressing its everyday, commonplace values.
Dec 6, 2023 · Describing his ideas to his friends, the architects Peter and Alison Smithson, Hamilton wrote that: Pop Art is: Popular (designed for a mass audience), Transient (short-term solution), Expendable (easily forgotten), Low cost, Mass produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big business Richard Hamilton, Letter to Peter ...
Apr 15, 2019 · Richard William Hamilton (February 24, 1922 - September 13, 2011) was an English painter and collage artist best-known as the father of the Pop Art movement. He started the crucial elements that defined the style and laid the groundwork for future significant figures like Roy Lichtenstein and Andy Warhol .
One of the most influential British artists of the 20th century, Richard Hamilton (1922–2011) is widely regarded as a founding figure of pop art, who continued to experiment and innovate over a career of 60 years. Tate Modern presents the first retrospective to encompass the full scope of Hamilton’s work, from his early exhibition designs ...
Hamilton was a member of the Independent Group, formed in the 1950s by a group of artists and writers at the Institute of Contemporary Arts, whose symposiums contributed to the development of Pop art in Britain. He was one of the prime practitioners of the critic Lawrence Alloway's theory of a 'fine/pop art continuum'.
Perhaps best-known for his 1956 collage 'Just What Is It that Makes Today's Homes So Different, So Appealing?', often referred to as the first example of Pop art. Hamilton also acted as curator of a major retrospective of Marcel Duchamp's work at the Tate Gallery in 1966, and edited a typographic version of that artist's "Green Box."
Richard Hamilton was not only a key figure in the development of Pop Art in Britain but also one of the movement’s pioneers internationally. His work, which draws from and comments on popular culture, technology, the mass media and a wide range of current events, continues to be highly influential worldwide.
