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  1. en.wikipedia.org › wiki › Doo-wopDoo-wop - Wikipedia

    50s chord progression. Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.

  2. Mar 29, 2024 · Top 100 Doo-Wop Hits: About Doo-Wop Songs: The PCM Doo Wop list is based first and foremost, on the most well-known and recognized “oldies” Doo Wop songs, the songs that had the biggest influence on the genre, and songs that best represented Doo-Wop of the era. Take our 1960 Quiz! Doo Wop Song List: 1. Up On The Roof – The Drifters: 2.

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  4. It Will Rain. Bruno Mars. Dance Monkey. Tones And I. Memories (Official Video) Maroon 5. Dancing With A Stranger (Official Music Video) Normani & Sam Smith. Circles.

  5. Feb 7, 2020 · History and listing of doo-wop music from the 1940s through the 1970s. Includes pricing for the top 1,000 doo-wop songs of all time along with quizzes and puzzles to test knowledge of doo-wop music Reprint. Originally published: Iola, WI : Krause Publications, 2000 Includes bibliographical references (p. 490-493) and discography (p. 281-489)

    • “Blue Moon” by The Marcels
    • “Rama Lama Ding Dong” by The Edsels
    • “Morse Code of Love” by The Capris
    • “Speedoo” by The Cadillacs
    • “I Wonder Why” by Dion & The Belmonts
    • “Book of Love” by The Monotones
    • “Come Go with Me” by The Del-Vikings
    • “At The Hop” by Danny & The Juniors
    • “Get A Job” by The Silhouettes
    • “Stay” by Maurice Williams & The Zodiacs

    The introduction to The Marcels’ version of “Blue Moon” is one of the most famous and recognizable doo-wop portions of a song. It’s a perfect example of alliterative, percussive doo-wop vocals that turn gibberish into exciting, emotional music. “Blue Moon” was originally a stage song in the 1930s, but this version by The Marcels became one of its b...

    Many a pop song has made gibberish syllables into deeply emotional expressions, and “Rama Lama Ding Dong” is a product of that tradition. One would be surprised to meet someone named Rama Lama Ding Dong in real life, but in the context of the song, the name projects just the type of freewheeling, joyous love that doo-wop is renowned for. Oh, and he...

    “Morse Code of Love” is a funny example of doo-wop referencing modern, atomic age technology to tell a typically romantic story. Morse code itself, made up of dots and dashes, makes a surprisingly apt metaphor for doo-wop background vocals, which typically alternate between rhythmic bursts and sustained harmonic lines.

    While it prominently features the trademark doo-wop backing vocals, The Cadillacs’ “Speedoo” sticks out from other doo-wop hits by embracing a more bluesy lead vocal line. “Speedoo” is a fast-paced, hard rocking number with the rhythm of a steam train. Fittingly, the lyrics describe a narrator who does everything the fast way.

    Hailing from the Bronx, Dion & the Belmonts excelled at creating vocal parts that were driving and percussive. Their breakout hit, “I Wonder Why,” prominently displays this talent, with background vocals that mimic energetic jazz drum fills before the voices unite around harmonies that further raise the song’s emotional fervor.

    “Book of Love” is one of the most recognizable songs in the doo-wop catalog. It is masterful in its use of evocative imagery to tell a quick and catchy pop music story, creating a metaphor for love and relationships that consists of progressive chapters. “Book of Love” has also enjoyed a long pop cultural afterlife. Sha Na Na covered it at Woodstoc...

    The Del-Vikings’ “Come Go With Me” is notable for its backing vocals, which are even more prominent than is usually the case in doo-wop.The backing parts are exceptionally layered, dancing and swirling around the lead part’s syllables. This creates a sort of echo chamber effect, as if the backing parts are bouncing off the walls as the leader singe...

    Decorated by ascending harmonies that convey the excitement of teenagers heading out on the weekend, “At the Hop” paints a vivid image of 50s-style fun. The lead vocals are charged and nimble, trading the emotional falsetto found in much of doo-wop for a level tone and relaxed attitude. The song also features prominent boogie-woogie style piano, pu...

    Released in 1957, “Get a Job” was one of the most commercially successful as well as one of the most influential doo-wop songs. The song topped both the pop and R&B charts, and is credited with “inventing” two or three different staple doo-wop singing hooks. On top of that, the song’s lyrics are based on real-life parental advice!

    In a genre full of catchy hooks, “Stay” has some of the best, with a stratospheric falsetto chorus that leans farther into doo-wop’s romantically desperate emotions than most. The backing rhythm employs more of a shimmying shuffle than many other doo-wop songs, which tend to rely on a straight-ahead rock and roll bop. While “Stay” would later reach...

  6. Apr 24, 2020 · The sound of doo-wop music was born out of the creativity of the African American youth who dealt with the impact of segregation during its peak in the late 1940s and 1950s. The development of the music had a great deal of influence on other music genres such as soul, rhythm-and-blues, rock-and-roll, pop, and surf-rock.

  7. Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that ...

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