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1927
- In 1927 he was appointed as chief musical director in Darmstadt.
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[1] Munich, Darmstadt, Hamburg. In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler 's Der Trompeter von Säckingen in 1917. [1] . He became the assistant director of music in 1919, and the following year, the senior director.
Böhm began to move steadily up the ladder through provincial opera houses and in 1927 he went on to become music director at the Staatstheater Darmstadt and then, in 1931, was appointed music director at Hamburgische Staatsoper serving until 1934 when he left for the prestigious post at Dresden.
Apr 17, 2024 · His debut at the Graz Opera House in 1917 was followed three years later by his appointment there as its first conductor. In 1921 he joined the Munich Opera. Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934. He made his London debut at Covent Garden in 1936.
- The Editors of Encyclopaedia Britannica
He secured a top post at the Vienna State Opera in 1943, eventually becoming music director. On the occasion of the 80th birthday of Richard Strauss, on 11 June 1944, he conducted the Vienna State Opera performance of Ariadne auf Naxos .
May 23, 2018 · From 1931 to 1933 Böhm held the post of Generalmusikdirektor of the Hamburg Opera; from 1934 to 1943 he was music director of the Dresden State Opera, where he gave the first performances of Die Schweigsame Frau (June 24, 1935) and Daphne (Oct. 15, 1938), which Strauss dedicated to him.
Martin Cullingford. Tuesday, August 16, 2011. This week marked the 30th anniversary of the death of Karl Böhm. We looked through the Gramophone archive and found this interview with the legendary Austrian conductor from 1972 when the music critic Alan Blyth sought out Böhm in Salzburg.
In 1927 he became Generalmusikdirektor (music director) at Darmstadt. He often conducted modern operas, including Berg’s Wozzeck. In 1931 he moved to Hamburg. In 1933 he conducted the Vienna Philharmonic, both in opera and concert performances.
