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  1. en.wikipedia.org › wiki › Karl_BöhmKarl Böhm - Wikipedia

    Böhm first appeared at the Salzburg Festival in 1938, conducting Don Giovanni, and thereafter he became a permanent guest conductor. He secured a top post at the Vienna State Opera in 1943, eventually becoming music director.

    • Conductor
    • 14 August 1981 (aged 86), Salzburg
    • 28 August 1894, Graz
  2. Böhm began to move steadily up the ladder through provincial opera houses and in 1927 he went on to become music director at the Staatstheater Darmstadt and then, in 1931, was appointed music director at Hamburgische Staatsoper serving until 1934 when he left for the prestigious post at Dresden.

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  4. Apr 17, 2024 · His debut at the Graz Opera House in 1917 was followed three years later by his appointment there as its first conductor. In 1921 he joined the Munich Opera. Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934. He made his London debut at Covent Garden in 1936.

    • The Editors of Encyclopaedia Britannica
  5. Apr 15, 2021 · In 1917 Karl Böhm became a rehearsal assistant in his home town, in 1919 the assistant director of music and in 1920 the senior director of music. In 1921, Bruno Walter called him to Munich. In 1927 he was appointed as chief musical director in Darmstadt.

  6. In 1931 Böhm was appointed music director at Hamburgische Staatsoper, serving until 1934 when he left for the prestigious position at Dresden. As general music director at Dresden, Böhm grabbed the opportunity to succeed Fritz Busch. Although not Jewish, Busch was ardently opposed to Nazi ideology.

  7. May 23, 2018 · From 1931 to 1933 Böhm held the post of Generalmusikdirektor of the Hamburg Opera; from 1934 to 1943 he was music director of the Dresden State Opera, where he gave the first performances of Die Schweigsame Frau (June 24, 1935) and Daphne (Oct. 15, 1938), which Strauss dedicated to him.

  8. Dan Davis. Artistic Quality: 9. Sound Quality: 9. Karl Böhm left a huge recorded legacy sharply focused on the central Austro-German classics and on 20th century heirs such as Berg and Strauss.