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  1. The Palazzo del Cinema on the Lido di Venezia is the main headquarters for the Venice International Film Festival. Built in record time in the Modernist style of the time, it was inaugurated on August 10th 1937 for the fifth edition of the Festival. Compared to the rhetorical monumentality of the nearby Casino building, the Palazzo del Cinema, which features a Hall and a 1032-seat screening ...

  2. Aug 30, 2023 · Domus 730, September 1991. The competition brief concerned the restructuring of the present Palazzo del Cinema, in order to make it fully compliant to the Biennale’s activities and to other cultural events held at any time of the year. So there will be not just a Cinema Building any more, but a large and complex public building.

  3. The main cinema with its seating capacity of 1.800 is paired with a medium-sized theater for 1,200. Like an island, they are made to float in space, thereby facilitating access from all sides. The character of this element gives preemi­nence to the Lido-side facade, notwithstanding efforts to avoid a frontal interpretation of it.

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  5. 1991. The New Palazzo del Cinema al Lido di Venezia. Carlo Aymonino, Mario Botta Architetti, Sverre Fehn, Hentrup-Heyers-Stirling, Steven Holl, Fumihiko Maki, Rafael Moneo, Jean Nouvel, Aldo Rossi, Oswald Mathias Ungers. venue. Arsenale.

  6. Showing Editorial results for new palazzo del cinema stalled construction site in venice. Search instead in Creative ? Gates are closed at the building site for the New Palazzo del Cinema at Lido on August 18, 2011 in Venice, Italy.

  7. The New Palazzo del Cinema of Venice is a big-scale “device” for performances, entertainment and research on moving images and visual arts.An architecture that develops around a metamorphic space: the structure of the large hall (2,400 spectators) can turn into a public square thanks to the vertical movement of the ceiling.

  8. Flying over the architectural features of the current Palazzo del Cinema, it is useful to remember that with the passing of the years and the changing needs of the events promoted by the Biennale, the building has proved increasingly inadequate to meet the needs it should satisfy from this state of affairs, between 1988 and 1989 the Biennale ...