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      • What’s clear from the historical record is that Revere wasn’t the original creator of this now-iconic engraving. It was copied almost stroke-for-stroke from a print made by a young artist named Henry Pelham and entrusted to Revere.
      www.history.com › news › paul-revere-engraving-boston-massacre
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  2. Aug 16, 2021 · Revere’s most effective piece of anti-British propaganda was “The Bloody Massacre,” a full-color rendering of the 1770 melee that came to be known as the Boston Massacre.

    • Dave Roos
  3. Revere based his engraving on that of artist Henry Pelham, who created the first illustration of the episode—and who was neither paid nor credited for his work. Here are a few of the elements Paul Revere used in his engraving to shape public opinion: The British are lined up and an officer is giving an order to fire, implying that the British ...

  4. Paul Revere created his most famous engraving titled the “Bloody Massacre Perpetrated in Kings Street in Boston” just 3 weeks after the Boston Massacre occurred on March 5, 1770. It is regarded by historians as an important document of the pre-revolutionary period.

  5. Henry Pelham's engraving that served as the basis for Paul Revere's engraving, The Bloody Massacre, depicting the Boston Massacre. In the days and weeks following the incident, a propaganda battle was waged between Patriots and Loyalists in Boston.

    • March 5, 1770; 253 years ago
  6. Since 1770, Americans’ understanding of the massacre has been shaped by the images created by engraver Paul Revere. Revere’s sensationalized engraving of the event, titled The Bloody Massacre perpetrated in King Street , defined how the tragedy was and is still imagined in historical memory.

  7. Explore the history and significance of Paul Revere's engraving of the Boston Massacre, a powerful propaganda tool that shaped public opinion and mobilized the colonists against British tyranny. This online exhibition features an interactive version of the engraving, where you can zoom in, compare, and analyze different aspects of the image.

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