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  1. Pope Julius II (Latin: Iulius II; Italian: Giulio II; born Giuliano della Rovere; 5 December 1443 – 21 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death, in February 1513.

  2. Julius II was the greatest art patron of the papal line (reigned 1503–13) and one of the most powerful rulers of his age. Although he led military efforts to prevent French domination of Italy, Julius is most important for his close friendship with Michelangelo and for his patronage of other

  3. Feb 24, 2019 · Pope Julius II was known for sponsoring some of the greatest artwork of the Italian Renaissance, including the ceiling of the Sistine Chapel by Michelangelo. Julius became one of the most powerful rulers of his time, and he was more concerned with political matters than theological ones.

  4. Julius II, orig. Giuliano della Rovere, (born Dec. 5, 1443, Albisola, republic of Genoa—died Feb. 21, 1513, Rome), Pope (1503–13). The nephew of Sixtus IV, he fled Rome in 1494 to escape assassination by Alexander VI. Elected pope in 1503, Julius set out to restore the Papal States, subjugating Perugia and Bologna (1508) and defeating ...

  5. Julius II , POPE (GIULIANO DELLA ROVERE), b. on December 5, 1443, at Albissola near Savona; crowned on November 28, 1503; d. at Rome, in the night of 20-February 21, 1513. He was born of a probably noble but impoverished family, his father being Raffaelo della Rovere and his mother Theodora Manerola, a lady of Greek extraction.

  6. May 25, 2011 · Julius II (Giuliano della Rovere, b. 1443–d. 1513, pope 1503–1513) is best known as the “warrior pope” who used warfare to accomplish his ends of gaining control of the Papal States after the alienation of sections to Cesare Borgia, the incursions and confiscation of the Venetians, and the rebellion of local lords.

  7. May 29, 2018 · Julius II (1443-1513), who was pope from 1503 to 1513, was a noted Renaissance patron of the arts. A warrior pope, he failed to bring Italy under papal control. His costly concern with the arts and politics alienated northern Europe and helped pave the way for the Reformation.

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