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Consistency is essential, ensuring your brand remains timeless without being influenced by ever-changing design trends. When it comes to web design, I am constantly trying to achieve more with less. Great web design is reducing clutter, focusing on the essential, and creating a better user experience.
In 1996 Marcus Lee Design was established, and in the year 2000, Marcus Lee Design was awarded the Melbourne Museum branding contract. This project provided Marcus an opportunity to reconnect with his Aboriginal heritage and was the catalyst that identified an exciting new direction for the studio. Since then, Marcus Lee has created many ...
Our new website will be coming soon in 2024! At Marcus Lee Design, we create contemporary art and graphic communications that are culturally relevant to suit the First Nations sector. Marcus Lee is a proud Aboriginal descendant of the Karajarri people from North Western Australia. Get in Touch. For any enquiries please contact the studio.
- Aboriginal Flag, 1971
- Cycle of Life Opera Cape, 1987
- ATSIC Logo, 1990
- Marcus Lee Design Logo (Symbol Element), 1996
- Girrawaa Creative Work Centre, Bathurst Jail, 1998
- Qantas, Wunala Dreaming, 1993
- Murri Totems Environmental Sculptures, 2012
- G20 Summit Brisbane Logo, 2014
- Marlu Chair, 2015
- Ngarara Place, RMIT University, Melbourne, 2016
Protesters hold the Aboriginal flag at an Invasion Day rally and march in Brisbane. Image: Flickr Designed by Harold Thomas, a Luritja man of Central Australia, the flag was first flown on National Aboriginal Day in Adelaide in 1971. It has had an impact like no other contemporary Indigenous design. Thomas created the flag as rallying symbol of rac...
Image: MAAS Collection This full-length opera cape with a hood of hand-painted, cotton drill was designed by Bronwyn Bancroft, a Bunjulung woman, and is now part of Sydney’s Museum of Applied Arts & Sciences collection. A wearable work of art, it represents the journey through life of an Indigenous man and woman. Designed specifically for a parade ...
Image: Creative Spirits The logo for the Aboriginal Torres Strait Islander Commission was designed by Clive Atkinson, a Yorta Yorta and Dja Dja Wurrung man from Echuca, who describes himself as the first Australian Aboriginal man to own and operate a graphic design/advertising company. The logo was commissioned by the then Prime Minister, Bob Hawke...
Copyright © 2014 Marcus Lee Design. All rights reserved Designed by Marcus Lee, a Karajarri man, originally from Darwin, the hand in this logo references Northern Territory Aboriginal rock art. The eye makes a connection between heart and hand as the so-called window to the soul. As Leonardo da Vinci said, “Where the spirit does not work with the h...
Dillon Kombumerri, Girrawaa Creative Work Centre, 1998. Image: Patrick Bingham The brief for this centre was to create an arts and culture facility inspired by the goanna, a totem for many people in the Bathurst area. This was a new approach for correctional facilities at the time. It was designed by architects Dillon Kombumerri, a Yugembir man, an...
Balarinji Designs’Wunala Dreaming was a confident, Indigenous-led statement that proudly celebrated Australia’s rich, pre-colonial culture. “We wanted to challenge existing approaches to Australian visual identity, which looked largely to Europe and America for inspiration, and which failed, in our view, to harness the unique heartbeat of Australia...
Murri Totems (2012) Reko Rennie. Image: La Trobe Located at La Trobe University’s Institute of Molecular Science, these poles were designed by Reko Rennie, a Kamilaroi man. Rennie is unique in the way he combines expressions of Indigenous culture with contemporary design sensibilities.
Image: The Kremlin This logo was created by Gilimbaa Creative Agency, co-founded by David Williams, a Wakka Wakka man, and Amanda Lear. Australia’s largest Indigenous-owned, communication design company, it attracts high profile clients from both the private and public sectors. Partly inspired by Torres Strait Islander weaving techniques, the G20 l...
The Marlu chair and other designs by Nicole Monks, a Wajarri and Yamatji woman from Sydney, are setting a new direction for Australian design, which intelligently combines modernist and traditional inspirations and aesthetics. “Marlu”, meaning kangaroo, was inspired by a trip back on Country to visit her 93-year-old “Auntie” Dora and reminiscing ab...
Ngarara Place, RMIT, Melbourne. Image: Peter Casamento Designed by Jefa Greenaway, a Wailwan and Kamilaroi man from Melbourne, the award-winning Ngarara Place is widely acknowledged as a groundbreaking design. It is unique in that this space, located in the heart of Melbourne, was created, designed and built by a predominantly Indigenous team. Them...
Nov 5, 2020 · Marcus Lee Design is accredited by Supply Nation. Last month we launched the first Infoxchange Group Reconciliation Action Plan (RAP) to reflect our vision for reconciliation – respectful, enduring and mutually-beneficial relationships with Aboriginal and Torres Strait Islander peoples. Our RAP represents an important new step for us in ...
Sep 13, 2021 · In 2015, architect Marcus Lee bought a plot of land in Forest Gate, east London, where he built his latest self-designed home: a contemporary three-storey live/work space that’s akin to a warehouse.
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