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  1. Werner Richard Heymann (14 February 1896 – 30 May 1961), also known as Werner R. Heymann, was a German-Jewish composer active in Germany and in Hollywood. Early life and education [ edit ] He was the younger of 4 boys born to a corn merchant.

  2. Dec 2, 2008 · Werner Richard Heymann was the most famous film composer in Germany and France until 1933. His music was everywhere. You could hear it from the orchestra pits of the great theatre stages and on ...

  3. Werner Richard Heymann was active as a classical composer in Berlin from 1912. By the end of the decade, he also wrote songs for cabaret and served as musical director for Max Reinhardt from 1918 to 1919. In films with Ufa from 1923, he initially worked as assistant to the head of the music department Erno Rapee, before replacing the latter in ...

    • January 1, 1
    • Munich, Bavaria, Germany
    • January 1, 1
    • Music Department, Composer, Actor
  4. Đồng thời, Wikipedia tiếng Việt nằm trong 50 wiki "lớn nhất" toàn cầu sử dụng phần mềm MediaWiki. [11] Đầu tháng 2 năm 2013, Wikipedia tiếng Việt đã có hơn 10.000.000 sửa đổi và đạt hơn 750.000 bài viết trong đó vào khoảng nửa là do bot tạo ra. [12] Vào ngày 15 tháng 6 năm 2014 ...

    • Bách khoa toàn thư mở trực tuyến
    • Tiếng Việt
  5. Werner Richard Heymann (14 February 1896 – 30 May 1961), also known as Werner R. Heymann, was a German-Jewish composer active in Germany and in Hollywood. Show Less... Continue reading at Wikipedia... Birth and Death Data: Born February 14, 1896 ( Königsberg ), Died May 30, 1961 ( Munich) Date Range of DAHR Recordings: 1930 - 1942.

  6. Retrieved from "https://en.wikipedia.org/w/index.php?title=Werner_Heymann&oldid=337852583"This page was last edited on 14 January 2010, at 19:35 (UTC). (UTC).

  7. Apr 7, 2016 · (2016). Werner Richard Heymann in Hollywood: a case study of German-Jewish emigration after 1933 as a transnational experience. Jewish Culture and History: Vol. 17, Behind the Screens: Immigrants, Émigrés, and Exiles in Mid Twentieth-Century Los Angeles. Guest editors: Jeffrey Fear and Paul Lerner, pp. 115-132.

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