Yahoo Web Search

Search results

  1. The name change signaled another shift in the field: ethnomusicology moved away from studying the origins, evolution, and comparison of musical practices, and toward thinking of music as one of many human activities, like religion, language, and food. In short, the field became more anthropological.

  2. In 1956 the hyphen was removed with ideological intent to signify the discipline's validity and independence from the fields of musicology and anthropology. These changes to the field's name paralleled its internal shifts in ideological and intellectual emphasis.

  3. Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.

  4. It was known as comparative musicology until about 1950, when the term ethnomusicology was introduced simultaneously by the Dutch scholar of Indonesian music Jaap Kunst and by several American scholars, including Richard Waterman and Alan Merriam. In the period after 1950, ethnomusicology burgeoned at academic institutions.

  5. People also ask

  6. Ethnomusicology is the study of music in its social and cultural contexts. Ethnomusicologists examine music as a social process in order to understand what music is and what it means to its practitioners and audiences. Ethnomusicology is highly interdisciplinary. Individuals working in the field may have training in music, sound studies ...

  7. The movement has a deep historical relationship with the discipline of ethnomusicology; not only did the nineteenth-century German philosopher Carl Stumpf serve as the habilitation supervisor for the founder of phenomenology, Edmund Husserl (Fisette 2009), but Stumpf and others in his milieu were also among the parents of comparative musicology ...

  8. Abstract. ‘A bit of history’ charts the history of the study of ethnomusicology. The literate cultures of China and Greece generated philosophical treatises on music because they believed that music is an important cultural expression with significant cosmological, metaphysical, religious, social, and political implications.

  1. People also search for